Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Monday, September 12, 2011

Writing and Pulling Teeth

It's personal topic week at the Wicked Writer's blog and it couldn't have come at a better time for me. Boy. Yeah. Okay. So I somehow convinced myself that Book 2 would be easier to write than Book 1. You know, I'm wiser now. Book 1 was hard because I was new to writing novels. I was still learning. But I know exactly what I'm doing now.

So why does writing the dang sequel feel like pulling teeth? And why am I still using cliches like "pulling teeth"?!?!

*Facepalm followed by headdesk*

When you're a writer looking up at all the published authors sitting on their pedestals, all shiny and important, you might think "man, life must be so easy for them, with their fancy royalty checks." Truth is, we're all just writers. We all make peanuts for a living. And when all is said and done, each new manuscript still begins with two words:  Chapter One.

....Followed by a good ripping of the hair, lots of caffeine, and a hefty dose of insanity....

What's a writer to do?

Remember the reasons why you started writing the first place. Yeah, remember those? The good ol' days when it was fun and magical and every word felt like a roller-coaster ride on a gold-tinted rainbow? When you were an artist and every scene came from the heart. You didn't care about grammar or point-of-view or if all your characters' names started with the same letter because to you it was perfect. Every flaw was somehow right. You did that, you made that, and it was awesome.

Remember that feeling. Hold it close. Bathe in it. Eat it for breakfast. Sit down at your computer and say to yourself "Today I am writing for me, and I don't care if no one likes what I write because I love it and that is all that matters!".


J.D. Brown
Website ~ Blog ~ Facebook ~ Twitter

Monday, August 29, 2011

Study Your Peers - The Southern Vampire Mysteries

Today I'm taking a critical look into the Southern Vampire Mystery series by Charlaine Harris, aka The Sookie Stackhouse novels, aka the books that started HBO's TV series, True Blood.

Why am I attempting to analysis the work of a highly successful vampire author who's craft is one-hundred times better than my own? Well... that IS why. She writes vampire urban fantasy... I write vampire urban fantasy... She's famous... I'm just getting started. I'm trying to learn something here by studying one of the masters.

What? Surprised I didn't chose The Vampire Lestat for this post? There is no argument from me that Anne Rice is certainly a vampire master, but the industry has come a long way since the days of Interview with a Vampire and Harris' books are bit more current. Plus I am currently obsessed with True Blood, so of course I jumped to talk about it. *wink*

So here we go:

Blurb for DEAD UNTIL DARK - Book 1

Sookie Stackhouse is a small-time cocktail waitress in small-town Louisiana. She's quiet, keeps to herself, and doesn't get out much. Not because she's not pretty. She is. It's just that, well, Sookie has this sort of "disability". She can read minds. And that doesn't make her too dateable. And then along comes Bill. He's tall, dark, handsome - and Sookie can't hear a word he's thinking. He's exactly the type of guy she's been waiting for all her life....

But Bill has a disability of his own: He's a vampire with a bad reputation. He hangs with a seriously creepy crowd, all suspected of - big surprise - murder. And when one of Sookie's coworkers is killed, she fears she's next.



What I love most about this series:  Right off the bat in chapter one, Harris makes it known that humans are well aware of the existence of vampires. But they didn't always know. The vampires had recently "come out of the coffin" before book one starts. Unlike hundreds of other vampire books, the focus is not to keep the vampire lover a secret. Instead of focusing on the secret world of vampires, Harris plays on what would happen if we found out vampires were real? How would politics handle it? Would they have the same civil rights as us? Should human-vampire marriages be legalized? How would the church react to this? Do vampires have souls? Etc. Even though this is all going on in the back ground, Harris does such an excellent job of making it real - as real as the battle for gay rights, for example.

Why it works:  Plan and simple - it's different. I can't think of anyone else who's taken this approach before. In fact, it's so different that no one cares about the fact that she uses the stereotypical type of vampires (the exploding in the sun, needing permission to enter your house type).

The Characters:  The characters are always the reason why I love or hate any book. So of course that means I love Harris' characters - vampire and human. She does an excellent job of making each character 100 percent unique and quirky. My favorite character is - without a doubt - Eric Northman, the viking vampire and true alpha male and hero of the series. *Spoiler Alert!* I have to admit I was disappointed when Bill and Sookie broke up. I kept waiting for them to get back together - the flirting with Alcide was okay, but I really didn't care for that bald tiger guy. But Eric and Sookie, on the other hand, Oh - My - God! It's not even the fact that Sookie and Eric are together, it's the way Harris put them together!!! She was extra sneaky about it and it worked.

However, there were a few things that didn't work for me. Harris has a ton of secondary characters that just didn't seem necessary at all. Have you seen the show? Only about a third of the secondary characters from the book made it into the show. I'm glad the books are written in first person without any head-hopping (with the exception of Sookie's mind reading ability) or it would have been worse.

Also, a lot of her characters have some funky names and/or names that are spelled weird. I'm not sure if that's because her characters are from Louisiana or what, but I had a hard time trying to guess the proper pronunciation. This always annoys me to no end. If I can't pronounce a character's name, I'm not going to use it and not going to remember it either.

The Setting:  I've only been to New Orleans once when I was a kid, but you can tell Harris is from the area. I have to assume that's the major reason why she used Louisiana. She writes it well and she writes about Southern values and traditions from Sookie's point of view like she's been doing it herself her whole life - which she has. I always think using a setting you know well gives the author a huge advantage. It's easy to make it real because you've been there. Plus the twist - southern vampire racism - is oh so fun in this story. Does 'till death do you part have any power with a vampire lover?

The Writing:  Ah, here is we run into some issues. Before we all start to judge, I'm just going to say my own personal opinions here. You are all free to disagree. Ever since I became a writer, reading for pleasure as oppose to critiquing has gotten difficult. I have to tell my inner editor to shut up and just enjoy the story - no matter what I'm reading - so it's really nothing personal to the author.

However, I had a hard time with the flow of this series. The beginning of each book is always long and drawn out with little to no action. There are a ton of little passive scenes about Sookie doing her grocery shopping or some other errand that has absolutely nothing to do with the plot. It's slow and boring and I sometimes skip over a lot of it. The only slight advantage I can see to this is that there is NO question as to what kind of person Sookie Stackhouse is because we're forced to follower her everywhere. It's a good thing Sookie is the type of heroine I like; strong, stubborn, and witty.

The middle is usually where we get the conflict - and the hot lovin' which is pretty much all I care about. LOL. Now as a new author who had the "rules" drilled into my head time and time again, presenting the conflict in the middle of the story is a huge no-no. It should be in the beginning! Harris likes to break this rule, especially in the later books.

It does lead to a fast and intense conclusion, though. And Harris likes to do the cliff-hanger ending which I both love and loath. Love because I just HAVE to get the next book! Loath because have to WAIT for the next book! :-(

Overall:  Guys, I really have no idea why The Southern Vampire Mysteries are a hit or why HBO decided to make it into a TV series. IMHO, the plot is week. The show is better - plot wise at least. But what it does have going for it is 1) The characters are awesome and dynamic. 2) Sookie is a strong leading lady that doesn't take vampire crap. 3) It's different. There is no other vampire book like it that I know of. And I think that's the most important element. And 4) Eric Northman would eat the Cullens for breakfast and make it look hot.


~ J.D. Brown ~
author of the Dark Heirloom series * March 2011



Tuesday, June 21, 2011

Muligans!

Okay, this weeks topic has us talking about muligans - do overs. Was there every anything that we did (or didn't do) that we regretted?

Of course! Many things! But, I won't embarass myself here and stick to just the writing side. *wink*

I have to think really hard on this because I don't really remember anything I have done or didn't do when it came to writing that I regretted later. Even if the project I started bombed or ended or closed or whatever the case was, I didn't regret starting it in the first place. Sure, I was sad it didn't work out, but I didn't actually feel regret over the situation.

I guess I do regret dragging The Faery's Tale series around for so long, not admitting what the real problem with the series was. But then again, I really don't. I learned SO much during that time and applied to my other works - that have turned out great!

No, The Faery's Tale series still is not anywhere near ready for publication. I feel terrible I made my crit partners read the first book as it is OMG terrible. Sideplots run amuck all over the place and just took over the series entirely! But like I said, I don't regret the years I spent struggling with it. I learned a lot and honed my craft and was able to craft many other books written with better quality for sure.

So, do I want to call "Muligan!" on anything in my writing career? No. Maybe because I have so many regrets in the other areas of my life because of my past with alcohol and drug addiction, I just don't have the energy to feel regret in my writing life. I learn from my mistakes and move on. How can I regret a situation that helped me be a better writer? I can't and so I don't.

Monday, June 13, 2011

Half of 2011 is OVER... What Have You Accomplished?

I was interested when I read the topic for this week. My first thought was "Crap, we're half-way through the year already?" Which was followed quickly by "What did I say were my goals?" I went back and read my resolution post and felt pleasantly surprised.

Number one on my personal list was to get healthy. Now, I'm by no means done with treatment and possibly have six months or more ahead of me, but I'm feeling the best I have in years. I sleep better, I have energy, I'm able to concentrate on work and I'm exercising. My body no longer hurts from just existing and when I do something active I don't ache for weeks afterward. I take all the pills the doctors suggest, try my best on the eight liquids, and have resolved to do better with the powders.

I do want to get better and even though I hate all this shit, I'm doing it.

I really don't like to exercise. I know it's good for me, but it's boring as hell and I often feel like my time could be better spent. It will probably remain something I have to force myself to do for a while, but I accept it. Those people who love it always make me feel like I'm inferior for complaining about it. Endorphin rush? Umm... yeah, okay... I'm no dummy. Sex feels better and I'd rather do my sweating with my partner when I'm naked.

TMI? Okay, moving on ;-)

Work goals -- I was pretty conservative in my musings. I wanted to finish book two in my series (check!) and start & finish book three for a November release date (uh... no check mark).

I haven't started book three yet because I did a whole bunch of other stuff instead. I published two erotica novellas, tried various marketing routes involving pricing experimentation, new covers, new blurbs, expanded distribution... and lots of other boring business stuff I won't put you to sleep with. My small publishing company has expanded to take on more writers. We have fifteen in the line up and three are not involved with the Everything Erotic team.

Why is this a significant detail? Because I'm turning all my profits back into the company to help more writers. I pay for their editing and covers out of my earnings. Their royalties don't get cut until their incurred expenses are paid. In essence, my small company truly fills the stop gap between self-publishing and traditional publishing.

Banner for the publishing blog, which hasn't launched yet.


There is no outlay from the author, and there is a signed contract allowing them to keep the rights to their work. RHP only has the rights to sell it as an ebook and print book for as long as the author decides. There is no advance, but there is also no one taking a percentage of your profit. You read that right. The author keeps it all. The company is set up with a zero profit standard, meaning everything is either an expense or paid to the authors.

I liken it to how my broker set up her real estate agency -- it's based on a flat fee set up. The seller can pick what 'services' they need from a variety of offers. The cost is not based on a percentage of the sales price, but a flat fee for services rendered. I wanted my company run the same way.

"Why?" you may ask.

Because it's the right thing to do. I didn't write the book so why should I profit on it? The editor worked for a few weeks on something a writer could have taken years to produce, why does that require a percentage and not a flat fee? The writer is working their ass off to format their book, sell it with blog tours, interviews, speaking engagements, social networking, and uploads their files through all our distribution channels, so why should I get money for their work? A retailer should get paid a set amount, and I doubt anyone would agree to them taking the lion's share just for having the privilege of carrying your book.

Publishing is no longer a game of getting a great big advance check from the publisher and the author then does nothing. Hell, it hasn't been that way for years. Most authors seeking representation have no idea they are expected to turn most of that advance into marketing and advertising to make their book sell. "What, you mean they don't pay for the marketing?"

Well, they do if you're a big name, but they don't if you're 99% of the rest of the published authors on the market today. I've learned most writers dream of their manuscript being picked up by a publisher, but have no concept of what comes after. The smart ones who've done their research have found out -- you must sell your own work and treat this like a business.

Be the master of your own destiny. Learn as much as you can, do everything you've researched, and don't cut corners. Skimping on editing, book covers, advertising and all the rest will only put you with the rest of the people in the industry trying to make it on their own -- way down at the bottom.

My best advice? Save your money and do it right the first time. Set a budget and stick to it. Make every damn dollar count. Get a group of writers together like I did and start your own house. It's not that hard, it just takes time, energy, and knowledge.

Okay, what started as a resolution post has quickly turned into a soap box, so I'll shut up now. Anyone who wants to know about what I've done with Red Hot Publishing, feel free to ask. Anyone want to share their resolutions and if they have done any of them, please do!


**CONTEST TIME**

I'm running a unique pre-launch promo contest. I plan to give away ten signed and numbered copies of The Hunt (numbers 3-12, 'cause I'm giving my brother the first two). They will be mailed to winners once available, which is slotted right now for early July.



Here is how you enter:  You comment on any blog I do for the next three weeks. I will notify readers when I post on my Facebook business page, and I will Tweet about it. Each comment counts as one entry (only one entry per post, but you can comment more if you'd like). The comments must be made within the first 48 hours of the post going live, and I will post a "closing" comment when the entries for that day are closed.



All entries will be tossed into a drawing, and the participants with more entries have a higher chance of winning. BONUS!! Every entrant who comments on at least six blog posts and does not win a signed print copy will receive a free ecopy when the book goes up for sale.

Monday, May 30, 2011

Writing on a Deadline

This week we're sharing a story about our first manuscript. Unlike many of the other authors on the team, almost everything I've written is out for consumer consumption right now. I've talked about rejection with my first MS, getting an agent, why I write, what character I most relate to... so I worry I won't be able to share anything new regarding my first full-length manuscript.

Instead, I've decided to talk about some of the challenges I've run into on my current one, The Hunt, which is due to release the end of June. A lot of writers fall into the passion of writing and I see many who tend to jump to the next project before their current one is polished and out the door for sale to readers.

After I edited my first MS several times, and not knowing any better, I did the same. I joined the NaNoWriMo frenzy in November 2009 and began the second book in my series. Lots of roadblocks came up -- I received notice that month my first full MS, Vampire Vacation, was proceeding to the next round in a national contest and had to drop out of NaNo to edit it one more time before handing it in.

That contest proved to be the single biggest thing I'd experienced so far in my new career. Sure, I'd grown a thick skin, or so I thought, from the various peers who hated my work, but that contest taught me more. While we all like to think the writing community is supportive, try going up against some seriously seasoned writers as a newbie and you'll find the claws can emerge pretty quickly.

While the experience taught me a lot, it also got me off track with my second book. My treatment for Lyme was only through the first pass of antibiotics and I had a serious relapse of symptoms late December '09 that lasted into mid-January when I finally got on some new meds. The seriousness of my illness was finally hitting me and by early February I had a picc line installed in my arm for IV antibiotics to be administered daily.

The last day I took those meds in early March will forever stand out in my mind because our nephew, Eric, came to visit us. He was fascinated by the tubes in my arm and thought the 'whole bag of medicine' idea in my fridge was cool. Eric stayed an extra day and I pushed off the first meeting with my agent to sign a contract so the family could hang out together longer.

Next, the whirlwind and excitement of having an agent set in. I had to write out a full detailed synopsis of The Hunt, polish the first five chapters on that MS to the best of my abilities, write loose story lines for books three and four, edit the first book again, submit a marketing plan -- the works! It was exciting and my agent was sure the book would sell quickly. Heck, her foreign market counter part loved it as well.

The end of April brings tragedy to our family. Eric, the twenty-one year old who just finished a tour in Iraq, dies in a motorcycle accident. Six in the evening, perfectly sober... the truck just didn't see him. I won't go into the heartbreak, I'm sure anyone who has lost a young family member can understand. It was an extremely difficult time of all of us.

The weeks trickle by and I realize I've got to get myself back on track work-wise. I'd discussed writing a character based on my nephew with him when he visited us. He was excited about being portrayed as a werewolf and indulged me rambling on about it while we drank beers together on his last visit. There was no doubt this book would be dedicated to him, but could I write the hard parts I'd planned with Eric in them?

Meeting his best friend, Pat, at the funeral got the wheels turning in my brain. I wanted to include him in the story so that a part of Pat would live on in the pages where I immortalized my nephew. Sure, the character isn't Eric, and we all know that, but I thought of him every time I worked on the story and tried my best to weave small parts of him in.

I wrote more in the summer of 2010 but the chapters were becoming harder and harder to write. The biggest challenge was the multiple points of view. Why do it that way if it was so hard? Well, I knew Vivian really well by the end of the first book, and so did the readers. I wanted them to get to know the other players in the story and see what motivated them.

Writing a third person book, which is where a reader often sees multiple POV switches, is not in me. I don't like to read them as much anymore and I find no matter how good the writing, I forever feel apart from the characters. Perfecting each first person voice in the initial seven chapters took longer than I expected. Switching the story and how it's viewed through each plot point was also challenging. The story is told in a progressive fashion, with no character in the book ever going back over the same scene again.

Breathing life into Rafe, Asa, Joanna, Drew, Paul, and Jon felt incredible. As the story evolved so did each of them. I began to see what motivated them and how it molded them as characters within the story.

Rafe is revealed to be a bit of a manipulator as well, often directing his wife's volatile actions behind the scenes. Asa is driven by a sense of honor and misses the family who thinks he's dead. Joanna turns out to be a little crazy from Vivian's occupation in the first book and Drew fleshes out to be a man healing from loss and hoping for love. Paul wants nothing more than to adjust to his new existence and it was fun to write his trials and tribulations as a new vampire. Jon turned out to be something more. His passion, loyalty and dedication to Vivian come through in every painful scene. 

Each character spoke to me, wanting to have importance within the evolving plot.

Unfortunately, as I worked more, I was pulled in different directions. Setting up the paid subscription blog, Everything Erotic, on Kindle was time consuming. Switching gears to write erotica, learning how to make covers, and producing ebooks occupied every working hour of the week. My pesky health problems reared their ugly heads again in the fall and I was sent to another specialist. This one focused only on Lyme and was I in for some surprises.

Eight months of the most intensive therapy yet followed. Thirty pills a day, eight liquids, three powders... my life quickly became one of managing my care. Every time a round of the bacteria died off I'd get a relapse of symptoms (toxins released in your system when they die). It was like an insane roller coaster ride you can't get off no matter how much you beg, cry and plead.

The erotica writing took center stage when I was able to produce words because I had deadlines on new fiction every month. Managing a growing company, dealing with writers and traversing the pitfalls of worldwide distribution took more than just the hours my kids were at school. Combine work with the weekly 3-5 hour IV infusion treatments, monthly doctor visits, new tests every two weeks and increasing medical costs and you wonder when does a body write?

I wasn't working on The Hunt, but I was writing. I managed to publish two erotica novellas and start on a short story collection (which I have to say, is much harder than I thought. I'm wordy, as this post can attest to).

The months tick by and before I know it spring is almost here. I'm not quite halfway done with The Hunt and yet I've told everyone it will come out in June. The biggest hurdle I'm facing when this realization hits is serious memory issues. I find working on the long detailed plot and extensive story arcs to be almost impossible. Every day I go back over my work, edit previous passages and re-read my outline to immerse myself in the story again.

But it doesn't stick. I'm so exhausted by the time I get to the point of writing new words I can't think. Literally, I read over stuff and can't remember writing it. It was kind of funny actually. I'd read a passage thinking "oh, this is a good part" without ever recall having typed it initially.

Thankfully, my health starts to even out by early April and I'm feeling better for the first time in years. I joke with my peers, who've only known me when I'm sick, that I'll be back to normal soon and ready to take over the world.*follow with evil laughter*

The deadline is steadily growing closer and I finally start to write on the unfinished MS. I won't lie and say the story flowed onto the pages like water and it was a dream come true. I worked my ass off trying to keep my mind focused and the story clear. I had good days and bad days. I self-edited and revised more than I wrote each day. It helped to keep the plot front and center in my mind and allowed me to slip into a character's "voice" for each point of view more easily.

In some ways, this is the hardest book I've ever written. The one year anniversary of Eric's death was only a month ago and about that time I was struggling to write the scene where he and Asa meet in the book for the first time. I'd planned it all along... but I'd planned it when Eric was still alive. Breathing life into his character now was very hard.

A reader (who liked V V very much) asked me recently, "Is The Hunt better than V V?" And to be honest, it threw me for a loop. I hadn't thought of the second book having to be better, I thought of it as a continuation of the world I'd created with characters I'd come to love. 

Is the plot intricate and twisting? No, not really. Maybe at times, sure. For the most part it's a bit of a romp, just like the first one, but with more depth to it. Does it top what I've done before? Well, that will ultimately be up to the reader to decide.

I can say this book means more to me. It's taken me longer and the journey has been difficult. Not because the story needed a ton of revising or changing and I couldn't get the pieces to "fit", that's never been my problem. But my personal journey while creating this story had such highs and lows I can't imagine ever repeating it (nor do I want to).

I hope with all my heart that in the end I'll have crafted a story readers find worthy of their time. As always, I'm grateful beyond mere words can express that they took a chance on an unknown and gave me something to focus on while recovering. Without all of you I have no idea where I'd be on the path to getting better. But I can tell you it'd be a lot more lonely of a journey.


**CONTEST TIME**

I'm running a unique pre-launch promo contest. I plan to give away ten signed and numbered copies of The Hunt (numbers 3-12, 'cause I'm giving my brother the first two). They will be mailed to winners one week prior to the book going up for sale, which is slotted right now for June 30th, 2011.



Here is how you enter:  You comment on any blog I do for the next three weeks. I will notify readers when I post on my Facebook business page, and I will Tweet about it. Each comment counts as one entry (only one entry per post, but you can comment more if you'd like). The comments must be made within the first 48 hours of the post going live, and I will post a "closing" comment when the entries for that day are closed.



All entries will be tossed into a drawing, and the participants with more entries have a higher chance of winning. BONUS!! Every entrant who comments on at least six blog posts and does not win a signed print copy will receive a free ecopy when the book goes up for sale.Let the games begin!!

Monday, May 16, 2011

"Womance Witing"

Recently, I went to Vegas and met up with two writer friends. We had a blast (but that's a whole 'nother story). At one point, one of the writers revealed she can read tarot cards and offered us a reading.


It was terrific and created a nice bonding moment for us all. Reading the cards is often subjective and I felt our friend did a fabulous job. The moment opened up to us talking about the industry, trying to stay the course, and our rejections. I even dug through my old email for my first rejection letter so they could share in my very first smack down from an agent.


They laughed their asses off and then sat in shock. Even at the time I received it, I didn't take it seriously. I laughed. Looking back, it is kind of odd a professional used made up words when giving any writer a rejection. My friends encouraged me to share the entire letter with other writers, not just snippets as I have before, to inspire them not to give up and to never lose faith in what you've written.


Before you read it, let me point some things out. First, My work was edited and the chapter she received had been re-written like ten to fifteen times.  It was the same chapter I had entered and finaled in contests with and the one which gained me over 600 followers on Facebook. With very few tweaks, it is the same work that earned me "fan favorite" and second place in the huge Dorchester contest in January '10, first place in another, and landed me an agent in March '10.


Second, the agent answered my email query in thirty minutes from when I sent it out. I was giddy with excitement but also slightly sick to my stomach. To be honest, the full MS wasn't ready yet. I had bargained on a response time of three to six weeks.


So, without further ado, here is my very first rejection letter, which helped me qualify for PRO status at my first RWA national writing convention, a mere four and half months after typing "Chapter One":




Hi C.J.:
I think you hit part of your target, but didn't land in the best place.
"If it's not your cup of tea, then I completely understand.  Having read a lot in the urban fantasy, paranormal, and erotic genres, I can assure you it is not erotica, but very erotic at times."
OK, it is very much not my cup of tea, but not for the erotica element--what you describe as the erotic element could be OK.
This plot/setting/character of innkeeper is not a bad idea but I can't get with the narrative.
A present tense narrative entices the author to fill the prose with ignorable, non-memorable details and you fell into the trap.  This combined with the narrator's voice which talks as much about how she receives sensory information and thinks, as what she sees and thinks, places the emphasis in the wrong layer of experience. I suggest you study (not just read) some Raymond Chandler to see what he leaves out and what you've put into this draft. Ex: "I mentally counted the guests..." It is much easier to read:  "I knew we had ten guests..."
Real people's interior monologs don't reach so hard for lush, romance-novel-expressions to describe what they are seeing and hearing and saying. So the narrator doesn't sound like an innkeeper or a vampire, but a script that has been shoved through a Romance Novel Thesaurus machine.
My free editorial advice is to revise by removing any word, phrase, or stock expression that even smells like Womance Witing and you might have a nifty Vampire Mystery. Then remove any prose that describes the character operating like a hydraulic system or computer.
Finally, the fact that the vamperoine has a warm (ha) relationship with her husband should provide the romantic element without carving each paragraph from Romantistone.
You might check out XXX by XXX as an example of an Urban Vampire series that worked for us. If you like XXX, you'd likely like this one too.
Other agents may feel differently.
Here are some links to help you survey agents and avoid scam agents and subsidy publishers.
http://www.anotherealm.com/prededitors/
http://nielsenhayden.com/makinglight/archives/004641.html#004641
http://www.sfwa.org/beware/
http://www.aar-online.org/mc/page.do
http://accrispin.blogspot.com/
and you can follow our blog at: XXX



And there you have it. My first rejection letter. I was grateful she took the time to write back and share her thoughts with me. As I later learned, it's rare to get anything other than a stock rejection form letter. 

It was good that I had enough confidence to shake her email off. I can see how writers can easily be crushed by a stranger telling them to get a book and learn the craft, or "here, read what I think is clearly a better writer than you", or being told their prose is carved from "Romantistone."

What do you think? Would you have been humored when this showed up in your inbox? Or cracking open the seal on that bottle of whiskey and starting before lunch?



**CONTEST TIME**

I'm running a unique pre-launch promo contest. I plan to give away ten signed and numbered copies of 
The Hunt (numbers 3-12, 'cause I'm giving my brother the first two). They will be mailed to winners one week prior to the book going up for sale, which is slotted right now for June 30th, 2011.

Here is how you enter: 
You comment on any blog I do for the next six weeks. I will notify readers when I post on my Facebook business page, and I will Tweet about it. Each comment counts as one entry (only one entry per post, but you can comment more if you'd like). The comments must be made within the first 48 hours of the post going live, and I will post a "closing" comment when the entries for that day are closed.

All entries will be tossed into a drawing, and the participants with more entries have a higher chance of winning.
BONUS!! Every entrant who comments on at least six blog posts and does not win a signed print copy will receive a free ecopy when the book goes up for sale.


Let the games begin!!

Monday, May 9, 2011

Reading, Writing, and Publishing Announcement

Did everyone have a good mother's day? I hope so. I'm not a momma, but I did receive some very good news Sunday morning.... My urban fantasy novel, Dark Heirloom, is officially under contract with Muse It Up Publishing Inc!!!!!!!!!!!!!!! *does a little victory dance*

I'm so ecstatic! For those of you who don't know, Dark Heirloom is like THE novel, the one I've been trying to get published for the past year or so. And it's finally happening! YAY!  :-)

Okay, now that it's out of system (not really), I'll lead into today's topic. What do I read vs. what I write? Truth is, I read what I write and I write what I read.

My two top favorite genres are Urban Fantasy and Paranormal Romance, which are exactly the genres I write. Dark Fantasy comes in a close third on my reading list just because the basic elements are similar, but I have no plans to write Dark Fantasy so far. As some of you know, I also write Erotic Romance, which I have just recently become a fan of. I know I enjoy writing Erotic Romance much more than reading it. Erotica is such a selective genre. We all have a different comfort level when it comes to sex so there really is no concrete line between erotic and pornographic which is why I have trouble finding erotic romance that I enjoy reading other than my own stories.

I'll occasionally read Steampunk - though I'm more a fan of Victorian women's fashion than anything - Sci-Fi, Horror, and Gothic. I also like a lot of the new fairy tale spin-offs.

The thing that sometimes baffles me most is that over half the books I read and own are Young Adult. I do have plans to write YA novels in the future, but I admit I'm shocked I didn't start with YA right off the bat. Instead, I started with heroines that are my age - in their 20's. Understandable, I think. It's just easier to write about people your age.

What about you? Writers, is there a genre you love to read, but don't particularly care to write? Or a genre you write, but don't like to read?

Friday, April 29, 2011

Pantser Plotting Techiques

This week the Wicked Writer team is discussing plot techniques. My hope is that by the end of this week, by the time we get to my little contribution to the debate, that you will have had some good instruction, dialogue, etc., because it is doubtful that you’ll be getting any from me.

You see, I have written two novels. Currently, the second installation of my crossover horror/Christian vampire series is somewhere within the bowels of the Vamplit Publishing building, awaiting its day in the sun, so it’s either one book or two, depending upon your point of view.

In any case, I practically wrote them from the seat of my pants, and I am not altogether sure that I know how to write any other way. If you have not yet heard this from me, then allow me to take a moment to explain.

The way this works is that once I have an idea for my next project, I begin a process where my mind begins to form scenarios which I either allow to continue or I mentally dispose of in my head. In the initial phase of this, I just keep playing with the ideas until I have enough and I feel that the project can continue.

It is at this point that I begin to type out an outline. I do this only to assist the process until there begin to be so many ideas pouring forth that I can foresee the the body. Once I begin writing what I believe to be the beginning, my mind simply begins to play the scenes inside my head. Each day, I write until there is nothing left. Then I go away from the computer, allowing the scenes, dialogue, etc., to have their way with me inside my mind, whether I am in the shower, driving to work, preparing to fall asleep or dreaming. By the next day, the next bit of writing has been loaded and ready to be recorded.

Not very helpful, is it?

What do you think of this type of seat of your pants kind of writing? Is there anyone else out there who writes this same way? Should we begin a support group? God forbid I lose the gift. Whose advice would I seek out? Certainly not my own.

On the other hand, as the photo above can attest, a lot can happen in dreams... 

Monday, April 11, 2011

The Cave: Where I Get My Writing Done


Hello readers and fellow Wicked Writers.

I apologize for my absences, I've been enjoying the A to Z Challenge over on my personal writing blog as well as feeling the joys of editing for a piece that is actually going to be published. :-)

Anyway, I'm back in the Wicked saddle with this week's topic: Best and worst places to write.

Well, I can only speak for myself on this one. I know every writer has there own personal zen spot that might drive the rest of us batty. For example, I know authors who swear up and down that music helps them write. While the right song can put me in my character's head or get me in the mood to work on my book, I cannot, under any circumstances, listen to music while I am physically writing or editing. It's just too distracting. I start singing along, then next thing you know, I'm dancing around the room in my underwear. So, no ... no music. Music bad. *Nods*

So, on that note, the best place for me to write is in my room ... which is were my computer is. Yes I have a TV in my room, but I can turn it off and KEEP it off. I can close the door and block everything else that might be going on in the house. My mom lovingly calls it "The Cave".

"I got a lot of editing to do today, Mom, so I'll be in The Cave."

Yup.

The only thing in my room that sometimes distracts me are my dogs who bark when they need to be let outside. Oh, of course there is the internet that is always a tempting distraction, but I can resist when I really need to buckle down and crunch.

I've never tried writing at a cafe before, either by myself or with a group. Many a author have sworn to me that writing at a cafe is bliss. While I LOVE coffee, I just cannot picture myself writing at a cafe. I imagine it would be like when I was a teenager and hand a "study" group at the library or at a friend's house -- yeah, it was fun, but never really got an studying done!

But I would like to try it sometime, just to mix things up a bit. I don't think it would be then worst place to write.

For me the worst place (or time) to write has always been while watching television. My brain turns off while I watch T.V. It's an automatic reaction or something.

I'm sure there are worse places to write though. Like out side in the rain ... your paper would get soggy and the ink would run. That would be a bad predicament.

Readers, where's your best and worst places for writing?

Wednesday, April 6, 2011

Re-charging Your Batteries

Ahhh.... here I sit, groggy at my keyboard, trying to get back on to eastern time after traveling to Vegas for four days. And figure out what to write. I think blogging on topic is often easier, but a part of me truly wonders who we are blogging to in this group? Is a writer-focused blog the best way to reach readers? How many readers actually read blogs? And why would they read ones that focus on writing?

Getting away is good. It often opens your mind up and helps you to re-examine a situation and evaluate the best course of action. I looked at some hard facts this weekend:

Are you working too much on the business end of things in publishing? Yes. Without a doubt I can say 'yes'. The amount of hours I spend on learning how to upload files at various locations, reformat existing ebook files to acceptable formats, designing covers, working on effectively worded ads, posting interactive "status updates", managing creative personalities in groups (which I don't always do with success), analyzing sales figures across multiple retailers, working on new strategies to monetize wisely.... Good God, it is exhausting.

Are you writing enough new material? No. Now, let me be clear-- we must all be honest about what we can produce and what should be a good personal goal. I finished Johnny Living Dangerously in January. I had about eight thousand words done prior to the winter holiday break and wrote the remaining twelve thousand words and polished the novella up within the month. I also did the cover and got all the files ready and out to launch on February 4th.

My girlfriend got her novella out the week before and it did gangbusters. I was truly inspired. I sat down and wrote my next erotica novella, More Than Tolerable, in about three weeks and got it polished and up for sale within the same month - it released on Feb 24th.

March arrived and I was so busy uploading new files to various retailers, and correcting mistakes I didn't know existed in the various nine ebook files I'm responsible for, that I never did much new writing. I started a new short story collection in the Patriotica line, but haven't done more than about 5k words.

And now, the realization that I've worked on other projects more than the novel I have broadcasted everywhere I'll be releasing the end of June hits me square between the eyes. There is no doubt what I need to focus on, right? The novel that is due. But you know what's really hard? When you have such a long project with intricate subplots and layers combined with memory issues. It is making the big project a HUGE challenge.

Are you using your blogging time to reach readers? Yes and no. As a writer, we are told to build a platform. No one really tells you how in a short period of time, but lots of people have advice on it. We try lots and lots of things and then see what sticks. Want to know the number one blog post on this site that drove thousands of readers here for weeks? One Greg did a few months back that mentioned Jennifer Aniston and had a picture of her. No, I'm not joking.

Are you utilizing social networking well? Sometimes I think "yes, I am." Other times I think it's a big time suck. I like the people I've met and have connected with, but I lose "fans" on my page whenever I post anything. Sure, I gain a few to replace them each week, but I have no idea why the others left or their name to even follow up and ask.

In the end, it all comes to balance. Balancing the time I spend on other people's work - be it editing, cover design, file upload, maximizing profits through research, building a website I never wanted, "branding"... the list goes on and on... with what I need to do to be a writer. I need to write, plain and simple.

Figuring out all the aspects of the Everything Erotic site and Red Hot Publishing has been time consuming. Have I learned more than the average writer in a very short span of time? Yes. Have I managed to sell books and release new titles while doing so? Yes. Have I worked my ass into the ground for other people, while not earning a dime on them? Yes.

Would I change a thing? Hell no. Life is about learning and moving forward. I've come so far in such a short period of time and yet I've poured so much of my life into it in the process. Is it worth it? Who can decide and how is such a thing measured? Simply in book sales?

Getting away helped me to relax and pry myself from the computer where I constantly check email, do social networking, obsessive researching of sales, marketing, promotion and publishing... you name it. It helped me realize what was important and what I need to do above all else:

I need to write.

Sure, I still have to do all the other stuff. But I have to have work written first and foremost.

It's great to be back, even if the time change is still kicking my ass and I think I need to nap. How do you recharge? And when you do, are you able to keep on top of the bigger picture easier? I'll find out in the weeks to come if I can sustain all my lofty aspirations!

Friday, March 4, 2011

Motivation

I typically take a peek at the upcoming topic the weekend before. I like to try and stay ahead, but also to allow my thoughts to begin collecting, thus making it easier to write the post. In doing so, the theme of the post reveals itself, sentences begin to form and each paragraph tends to begin lining up, jockeying for position.

This week’s topic was easy and, although I am only beginning to write it, I daresay that it will write itself. (Editor’s note: it did.)

For those of you who have come to know me, I hope you will not find this post to be repetitive. I have spoken about some of this before. For those of you who don’t know me very well, allow me to set it up.

I started writing late in life. That’s not exactly true. What I mean is I started writing when I was a kid, of course. However, it wasn’t until I had approached my forties that I began attempting to resurrect the novel writing that I had been doing before life, family and career began pushing it to the back-burner, as they say. I completed my novel about vampires unleashed in my hometown and then was blessed to find a publisher willing to climb out on a limb with me. Although it took essentially twenty years to write the first novel, I managed to write the first two drafts of the sequel in a mere eight months.

Since then, it has been a blur. A guest post in these hallowed pages soon became an invite to join as a regular. A review in a local magazine soon got me a job writing for another magazine. Add to this the posting I need to do for my own blog, as well as the help I give to another, and suddenly I’m juggling deadlines. Then, for everything that you are doing, you need to keep the gears of the PR machine greased. I do all of that on top of the eleven hours that I do at my day-job. Notice I have yet to say anything about my family or house and yard work.

So, why do I do it? Why do any of us do it? It’s two reasons, isn’t it?
We write because we have it in us. We were born with a talent to put words together in such a way that it compels others to want to read more. We tell stories with words, and not just any words, but grand ones. I don’t think I’m the only one who feels this way, am I? I would love to hear how others feel about it.

Another reason that we write is the potential. Stephen King used to write stories that no one but his immediate circle read. I heard that John Grisham gave his first novel away. That would have been A Time to Kill. Have you read it? It might be his best; certainly one of them. How about J.K. Rowling? Or Stephanie Meyer? Enter any author that you want onto this list. Heck, you can even add the names of newspaper columnists, play-writes, screenwriters and songwriters to that list of people who are now being paid to do what they do. Each and every one of them came from a place where no one was reading them. Who says that you and I are not next to that list?

Having (written) said all of this, one might say that the answer is simple, but it isn’t. I’m approaching forty-two years old now. Before you begin to tell me that I’m not old or anything, and that I have plenty of time yet to make a second career out of writing (and I love you for it, by the way), I have a couple of other numbers for you: 21, 17 and 13. This June will be my 21st wedding anniversary. I married my wife, not my laptop and iPhone. She has gotten scant attention from me these past few years while I attempt to juggle a schedule that is far too demanding. Next is how old my firstborn will be this coming July. He’s driving now and is as accomplished as hell. He performs in plays, sings honor choir and plays in honor band. He was one of only sixteen to make the California All-State Jazz Choir. He’s starting to get a ton of mail from colleges far and wide. The last number is the age of my youngest son. He’s the sports kid. He’s my all-star in baseball and is now doing track, too. If I keep up this pace for another five years, I could potentially look up to find that both of them are grown men.

I’m going to take a hard look at this year and see what I can glean from it. I love to write and have tons more stories that I would like to see in print, even if I’m the only one reading them. People who have read my novel so far come up to me and tell me that they liked it. Just getting more people to hear of the novel is the difficult part, not to mention getting them to buy.

Unfortunately, I fear that I am going to have to schedule down soon. This year the second novel will see publication, but when am I going to find the time to begin writing the third one? As it is now, the only writing I’m doing is for PR – not fiction at all.

What keeps you guys motivated? I really want to know. Perhaps reading your comments will help me more clearly decide what I want to do. Or need to do.

Oh, and one more thing. You’ll notice that I didn’t post any photos this time. I just felt that the words should provide the pictures today.

It’s what we do. Right?