Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Thursday, November 18, 2010

Research: A short Postscript!

A tricky place...

I sat, contemplating.


Sat in consideration;


sat thinking, mulling and pondering


– just why?


 



Just why, you say.


Why should I deviate


from fictional play


to reality?


 


He spoke not a word today.


Just a wave to beckon me on,


then, carelessly tossed away,


my identity drifted aside.


 


I wait; contemplate.


Did I offend?


Some transgression; even fate?


No. Idle curiosity satisfied, I move on.


 


The old man, sprang from stasis.


His weathered features, grey,


like the dried bed of a dead oasis.


Taxi? he called.



No. No taxi, I plead.


First, I seek the help of others,


a money changing need.


Taxi? The old man reappears.


 


But, where is this he leads?


Steel: a crumbling, decaying fragility,


we mount the old man’s wheeled steed.


Darkness embraces us.


 


Again, where is this he leads?


Sand: it gives place to concrete.


As lights flash by, time pays no head.


The old man smiles in my darkness.


 


I sat, contemplating.


Sat in consideration;


sat thinking, mulling and pondering


– just: why?


 


Steel: the crumbling, decaying fragility;


the old man’s wheeled steed creaks.


Through darkness my taxi’s ability,


once denounced, now championed.


 


Paper: the folded bills demanded;


the old man’s smile fades…


…his extortion plans now interrupted.


The old man turns away; I smile.


 


Just why, you say.


Why should I deviate


from fictional play


to reality?



I stand at the foot


of seven star luxury, contemplating.


Stand again, as considerations put


the breath of life in words I write.


 


Later, as I continue a stand,


more darkness envelopes our ground


as wind rustles and whips at sand.


Yellow dust coats my parched throat.



And, later still, I breath again,


as sand no longer troubles,


replaced by simple generosity, plain


– hands  full, I smile.



The paradox of the unreal real


stands, now bare, before me.


Yet again, in my existence, I feel


what I have known.

Thursday, November 4, 2010

Research: the write stuff – a tale of big words?

OK, a free blog topic! So, is it really true? I really don’t have to write more about horror, Halloween, and other ghouly stuff? (At least not for another year!)

But I have gotten so used to this place… writing about stuff I haven’t really a clue about! What am I to do now? Go back to mundane thrillers and financial crime? And, me being so late with this post… What will you readers be looking for now?
If in doubt… write from experience! Write what you know and can feel!

Yes, all well and good, I say… but there is an existential paradox here (big words #1 & #2) Oooo! I love it when I get philosophical! (Big word #3) Again I digress…

The Existential Paradox of Fiction


[caption id="attachment_3794" align="alignright" width="144" caption="A paradox..."][/caption]

Write what you know and can feel? But I write fiction. Fiction is not real. I cannot KNOW it; neither can I actually FEEL it! I cannot therefore write fiction based on what I know and feel. I cannot write what I cannot know. QED!

Existentially, if in doubt… what the h*** do I do now? How can I effectively write fiction if writing is best based on knowledge and experience and I have neither?

Research, I hear you say. (Well I might, if I could get the hang of this auto-suggestion malarkey!)

Research is a search for knowledge – perhaps the knowledge I need to write the fiction I am planning. But research implies a systematic investigation to establish facts and it usually also implies a scientific (not existential) method. What good is research to me? I am trying to write about stuff that does not exist – it is FICTION!
I repeat: F I C T I O N ! ! !

What about applied research, though? Surely that is different?

Oh, yes! Discovery and interpretation – all designed to advance human knowledge. But, knowledge as the basis of the unreal – of fiction? The paradox again. There are no facts concerning what is not real.

Now here’s one! Artistic research… Debatable! Art as an alternative in the search for knowledge and truth? Dubious, surely… but we are still digressing from the paradox! There are no facts concerning what is not real.

The existential paradox suggests: “why should we bother to develop our individual knowledge-bases as an aid to writing fiction – developing untrue narratives for the purpose of entertainment, not the advancement of human knowledge – why?
Why bother with research? We can just make stuff up, surely!

[caption id="attachment_3791" align="alignright" width="114" caption="A tricky place..."][/caption]

Case in point! A short time ago, I posted the opening chapter of my work in progress – the sequel to River of Judgement – in which I set the villain of the peace in a tricky situation in Libya. What do I know of Libya, or what an encounter with a criminal master-mind would be like? I know nothing. It’s fiction. I just made it up!

I created a social situation in a country that I have never visited, in a world (of crime) that I have never witnessed, about people that are wholly fictitious! If I was to gather facts – research, if you like – to develop the knowledge to write that scene on the basis of what I knew to be the case, I could end up in a pretty dicey situation myself. That is, assuming that such a reality actually existed somewhere, and didn’t mind being exposed in a real narrative. But then, that would not be fiction… ;)

I have missed a point here (deliberately so, in the hope that I could find enough to write about, lol)
The paradox of the unreal real is simply solved.

The answer lies in counterfactual analysis (big word #4). Assume the fiction is real, as we write about it. We research for facts that would support our fictional reality (if it was real). We research to support the narrative, not to provide it.

We want our readers to believe in the worlds we create. But the great thing is, these worlds we create don’t actually have to BE real. The world of our fictional narrative merely has to give the impression of a reality, long enough to engage our readers.

Fictional worlds, the places and characters that exist within them and the lives and actions we portray as fiction writers, form what can be described as socio-cultural contexts of systems of meaning, action, and/or beliefs.

These contexts of systems are basic to the world they describe. They are “plausibility structures”, and are a dialectic (given up counting big words now). Our fictional world should comprise a plausible structure, one that supports the fictional narrative. It does not replace it. And the fictional narrative, drawing on the plausible structure, in turn, suggests that structure is wholly real! The narrative acts to make the fictional world self-evident.

So research becomes a necessity if we do not have the knowledge to create and write about plausible structures.

And where does that leave the opening of my sequel set in Libya? Is my reality plausible? (Not factual.) Well, lucky me, this weekend I am about to set foot on Libyan soil for the first time in my life. I shall take full advantage of gaining experiences that will help me develop the structure of my fictional world – but I shall not worry a jot about the narrative! :)

Thursday, October 28, 2010

Halloween: Season of the Witch

I suppose that I should apologize for borrowing from the film, Halloween III: Season of the Witch for using part of their title for my heading; however, since that film is so universally [Censored by WW editorial staff], they may actually wish to offer us some residuals for bringing it up in the first place. In any event, I mean only to speak of the season that we are currently in, which is, of course, Halloween.

Now, being a church-going, Bible-thumping, Bible-believing kind of guy, I could easily write a very long post about several reasons why we should not want anything to do with such a date and the supposed thinning of the veil. Thankfully, this is not the forum for such posts, and personally I let this particular “holiday” pass by like water off the proverbial duck’s back. We have never really decorated our house or yard, but that wasn't because we had taken some concrete, unyielding stance or another. We just never have. My sons did go trick or treating. How else was my wife going to get her chocolate fix? Okay, I wanted some candy, too. I kind of like the whole ghosts and goblins craziness...as long as there are no "real" apparitions to be seen in my house in the middle of the night. Some of you may know just how early I have to get up in the morning for my day-job; if there were some "things in the dead of night", I would definitely "bump" into them.

How about some of you folks? Are there any traditions that you enjoy, regarding this particular season? Do you decorate your yard or the inside of the house? Do you have small children or grandchildren that you dress up and escort about town, hunting for treats? The following photo is of Disney's Haunted Mansion after it has been transformed into The Nightmare Before Christmas. They do this for the holidays and not necessarily every year. Speaking of someone who has visited Disneyland in Anaheim, California quite often, it is spectacular to behold.

[caption id="attachment_3756" align="aligncenter" width="300" caption="Disney's Haunted Mansion"][/caption]There is one thing that I would like to do, but continue to fail at and that is hunting for horror films to watch. When I was a teenager, back when Nosferatu was a new film, I used to enjoy watching scary things (I was kidding about Nosferatu; I hope you caught that). I grew up with Friday the 13th, A Nightmare on Elm Street, Halloween, John Carpenter films, and several other movies commonly regarded as Slasher Films. However, now that I think about it, I question whether we actually enjoyed those films, or simply partook of them because they were a bit of a taboo. Perhaps it was simply the thrill of watching something that our parents were barely allowing us to view, or that we were not allowed to do, but were doing so behind their backs anyway. Maybe it was a bit like that first drink, or the day we passed our driving test and could finally drive alone or our first [Once again,Censored by WW editorial staff] .

My problem now is I don’t think I have the stomach for senseless violence. I’m not terribly interested in something so formula-driven: several teenagers get together for drinking, doing drugs and having sex (yeah, I let that one go-the Censored joke had run its course) only to be hunted down, one by one, until the last one defeats the villain and survives; at least until the sequel. I’m not interested in torture porn, either. These days I prefer to be pulled along by The Sixth Sense or White Noise or The Silence of the Lambs or something that is more mentally frightening than physically disgusting.

How about you folks? Do you enjoy scary movies during this season of the year? If so, what are your favorites? Perhaps you may even help me by pointing out some films that I should really give a chance to. I’m always ready for a good ghost story, for example. Recently I have thought about watching certain films, The Messengers or The Skeleton Key come to mind, but I just never really took the plunge. Part of the reason has to do with having no one to view these films with; my wife can’t watch anything the least bit scary and my oldest son is barely at that age now. I let him watch Silence about a year ago and he sat there quiet as that lamb that finally stopped screaming when it was over, mind fully blown. When I have watched these films, I have had to do it on a laptop in the privacy of the back bedroom, so nobody else would see what they most definitely did not wish to see.

In any event, I am open, so what have you got? I would love to hear from any and all of you on this subject.

No matter how you view Halloween, may it be a safe one.

And if you must say Candyman or Beetlejuice, please refrain from saying it no more than twice…

…and never in my presence. I like all of my ghosts on the printed page.
[caption id="attachment_3757" align="aligncenter" width="198" caption="Watch out for hitchhiking ghosts."][/caption]

Wednesday, October 20, 2010

Quelle horreur?

A time for confessions? Indeedy!

But, not only have I not read any Stephen King (not even his book on writing, Sharon), I have also not read Dean Koontz, James Herbert and that chap called Poe! (I have been warned off Shaun Hutson and Clive Barker – but, strangely enough, I had never heard of them in the first place. No loss there, then.)

He heard snarling, inhuman voices cutting through the ghostly blackness in front suddenly ... a man was beating a dog with a stick… [He] strained helplessly not to see or hear ... A small crowd watched. A squat woman stepped out and asked [the man] please to stop. "Mind your own business," the man barked gruffly, lifting his stick as though he might beat her too ...


Ooops…. Now where did that come from?

When researching for this post… “Research,” I hear you exclaim. Yes, research…

When researching for this post I recalled the one (horror) story that I read that must have appealed to me. Well, I recalled it, didn’t I?

When I was young, I had a collection of short stories – the only collection of short stories I had ever attempted to read, until I acquired a collection of Anton Chekov only last year… There I go, digressing again…

[He] quickened his pace to get away, almost ran ... At the next corner a man was beating a small boy brutally in the midst of an immobile crowd ... [He] recoiled with sickening recognition. He was certain he had witnessed that same horrible scene sometime before. Déjà vu?


Some digression! Now, where was I?

Ah, yes… a short horror story… Well, despite recalling it, I have no idea of who wrote it or what its title was; but its themes have stuck with me. If someone tries to engage me in a conversation about horror stories and writers, then this short story is about the only thing I can talk of… then I try and change the subject because I truly cannot recall the detail.

I do know that the story in question featured three inns on a desolate moor, three inn-keepers, copious quantities of darkness and fog, a traveller and various body parts – including some rather ornately carved “ivory-like” utensils, chair legs and some rather tasty soup… Just what a tired traveller on the desolate moor would look forward to! I believe one of the inns was called the Rest of the Traveller!
[caption id="attachment_3715" align="aligncenter" width="150" caption="I could just do with a drink..."][/caption]

The yawning wound — was that a tube of slimy bone he saw running deep inside the gory scarlet flowed behind the twitching, startling fibres of weird muscle? — was dripping blood in several trickles, like snow melting on eaves, but viscous and red, already thickening as it dropped.


Urggghhhhhhhhhh……… too, much detail! Is that why I don’t read horror stories? My mother was a nurse, my sister is a nurse, and my step sister too… I’ve been in and out of hospitals (as patient and visitor) and I viewed the effects of knife wounds and gunshot… Do I really want to read about more of the gory stuff?

[His] undershorts… were soaking up blotches of blood on one side as though in thirst. [He] was stunned at how waxen and ghastly his friend’s bare leg looked, how loathsome, how lifeless and esoteric the downy, fine curled blond hairs on his odd, white shin and calf. The wound… [was] as long and wide as his hand, and too raw and deep to see into clearly. The raw muscles inside twitched like live hamburger meat.


I said… “DO I REALLY WANT TO READ MORE OF THE GORY STUFF?” It’s a good job I’m not a regular at MacD’s or (perish the thought) BK… (Live oysters are much more fun… they don’t twitch so much… well, maybe, if the lemon is particularly sharp! But that’s another subject entirely.)

Then he saw a sickening, gigantic hole in his friend’s ribs and watched helplessly as the man died before him, his insides spilled out all over him, revealing a secret.


“Look, this is beyond a joke…”
“What?”
“This…”
“This what?
“This interrupting my blog post with your constant glimpses of stuff I’m not interested in...”
“Ah! That STUFF! You mean you don’t like glimpses into…”
“Into what?”
“Stop interrupting”
“Pardon,” I exclaim, “you’re interrupting me! I thought? Now you’re getting me confused…”
“I should say!”

His teeth were chattering in horror. He forced himself to look again. Here was God’s plenty, all right, he thought bitterly as he stared — liver, lungs, kidneys, ribs, stomach and bits of...


“Look…”
“There you go again.”
“Where?”
“There. Interrupting me when I’m about to tell you what I’m up to.”
“You’re up to something?” I ask, sarcastically. “What do you know of horror?”
“More than you, it would appear!”
“If that’s horror, I’m not sure I’m going to change genres…”
“But…”
“But what?” I snap.
“But didn’t you say… now let me think… last post, wasn’t it? Didn’t you say something about horror being found in reality?
“Well, yes I did, I guess. But this?
“Yes, this…”

"It was easy to read the message in his entrails. Man was matter; that was [his] secret. Drop him out a window and he'll fall. Set fire to him and he'll burn. Bury him and he'll rot, like other kinds of garbage. The spirit gone, man is garbage. That was [his] secret. Ripeness was all"


“Where did you find this?”
“Don’t you know? I am surprised, David… it’s one of your all time favourite books, by one of your all time favourite authors.
“Pardon?”
“Really!”
[caption id="attachment_3710" align="alignright" width="150" caption="Tasty, this soup..."][/caption]“I just played with your mind a bit and changed the context.”
“Go on then, tell me.”
“No. Now sit there and eat your soup...” ;)
"What did you say the name of this inn was?
"I didn't..."

Wednesday, October 6, 2010

TEN FOUR… (and a competition, again)

No, this is not an Association of Public-Safety Communications Officials-International announcement in the affirmative. It is an oblique reference to our schedule and this week’s topic – scary movies. (Well, I did to a light double-check as, being a Brit, I wondered whether I could get away with suggesting I got the wrong date… Four Ten would have got me off the subject entirely!)

But first, this time... The Competition… which I find I am hosting again. Now, is this a new competition? Or is this week two of the competition in my last post? Questions, questions!

However, after my last post, I also wondered …dare I venture forth? Not one entry to win a copy of my book…  :(

Come on, guys, it’s not that bad! Honest. And just to show there are no hard feelings, the competition will remain open… and I will give away two copies, one each to the two best answers. So, come on, and give it a go!  Follow the link!The comp is at the bottom of my last post.
What next? Ah... The schedule! That’s what!"

Favourite scary movies? I wish it had been Four Ten! Or at least Four One – April 1st would have suited me better.

 

[caption id="attachment_3588" align="alignright" width="150" caption="Abandon hope..."][/caption]

 

I do recall, as a child, watching black and white talkies from the Hammer House of Horrors and other studios. I think I even recall mentioning the Pit and the Pendulum in an earlier post (but having been born with a mild case of something like Alzheimer’s, my memory has always been hazy).

Other titles seemed to revolve around the actors Peter Cushing and Christopher Lee – which just goes to show, I must have watched a few such films in my youth. I cannot remember many actors’ names at all! But, try as I might, I cannot say I have remained a fan of the genre or, indeed, continued to watch any scary movies of any age. (The one exception being, I suppose, Sean of the Dead – and only because someone told me it was funny!)

What gets me is that I find – letting my imagination run away with me – that there is enough in real life that is a good base for “scary”…  “suspense”… “thrills”… or whatever.

 

[caption id="attachment_3589" align="alignleft" width="112" caption="Interesting... tee hee!"][/caption]

 

 

[caption id="attachment_3590" align="alignright" width="150" caption="More interesting... I have an idea!"][/caption]

 

I do, though, have a confession. The conflation between real life and scary movies happened early for me… at the age of (ahem, clears throat… and mumbles incomprehensible sound). After the Pit and the Pendulum, I had a brilliant idea. I tied my younger brother to a soapbox cart in the cellar of our house (when no one else was there). He lay prone, motionless (relatively speaking) under the wooden beams of the floor above. I then proceeded to construct a pendulum from an axe and rope… (and before you call in social services, I was well trained in knots – being a Sea Scout).

I set the axe swinging and…"



Well, my brother is still around – I hasten to add. And he doesn’t seem too afflicted by the experience! Furthermore, following his Close Protection training with the Military Police and more recent Canadian Special Forces Training, I am unlikely ever to attempt such a stunt again!

I suppose, since recreating such a famous scary movie scene in the bowels of my mother’s house, cinematography has never really offered the same sense of reality. But that is my excuse. Now I just find it more challenging to create suspense on a less-is-more basis.

And I guess my brother might be thinking...
…it’s a good job we didn’t have computer games to play with in those days.”

So, who else out here in reader/writer land thinks that there is enough “scary” to be found in "reality"?

Thursday, September 30, 2010

Pushing the Envelope

[caption id="attachment_3550" align="alignleft" width="300" caption="Dirty Harry and his loaded question."][/caption]This week’s prompt is: Pushing the Envelope. Therefore, the first question one must ask is: "Do I feel lucky?" Okay, that's really a bit of dialogue from the classic motion picture, Dirty Harry, but a very good point which we will get to. I mean, really, what does that mean, pushing the envelope? What envelope?

For me it means just the opposite of what I have been doing since this amazing turn of events began last year when I found that publisher. With regards to my writing, I haven’t been pushing anything, other than myself to do so much more. Yet, we're not discussing working hard, meeting impossible deadlines or making our presence felt to the masses. I believe that "pushing the envelope" refers to pushing past one's comfort zone. To move beyond self constructed barriers. To do what is not comfortable.

I am not a marketing guy, but I think I have been bright enough to know not to alienate potential buyers of my novel. Therefore, I have not mentioned in any short story, novel, post or article which side of the political fence I may or may not reside. I have stayed away from any and all incendiary topics. Not only this, but I have also attempted to shy away from small things which could also get feathers ruffled, such as what form of music I have little appreciation for, or which sports teams I follow. Some of these things probably sound rather trivial to some, and most certainly, some of these things will eventually be made known (Country Music; Dallas Cowboys and Chicago Cubs). My point is that in the beginning I wanted to try to be able to reach every facet of my potential audience.

[caption id="attachment_3551" align="aligncenter" width="300" caption="Draper Street, Swedish Festival"][/caption]One example that I can give is The Kingsburg Swedish Festival. The city that I live in has Swedish roots. Therefore, our colors are Swedish; our buildings have a Swedish architecture; for all intents and purposes, we are a Swedish town. Once a year in May, we hold a festival which draws thousands. Years ago, the festival used to be held in our large park. Before and after our Saturday parade, people would head back to the park where the vendors and food booths were located. We had shade and comfortable grass to walk upon. Eventually, it was moved downtown to what we call our main street. Now we have to walk on cement and asphalt, and have little shade from the sun; but the consumers can walk amongst the shops and thus boost the downtown. Recently, there was a Facebook movement began which hoped to move the festival back to the park. However, since I am now a member of the Chamber of Commerce, you must now see that I declined the invitation to side with one side or the other. I think any reasonable person who has attended the festival would probably know which choice is best, but I am staying away from the subject.



Now, having said all of that, is this really what we mean? Or is it something more?

There is another way that one could push the envelope. My novel is a Christian/Horror crossover. It has a little bit of both and, I hope, is just the right combination to make the novel interesting, fresh and gripping. Now that it has been out for seven months, and I have begun to grow a small following across social networking sites as well as in my hometown, and the audience has begun to know what to expect from me, could it be time to push against their comfort zone? Do I now release a dark and pure horror novel where the devil seems to win more than he loses? Or do I release a purely Christian novel? How about Romance? I could do that, you know. I reach for the romantic comedy DVDs quicker than my wife does. Don’t think I couldn’t! Perhaps I could really shake things up by writing about the rape and murder a young girl much like The Lovely Bones.

What do you guys think? When might it be time to do such a thing? Too early and one might lose an audience before they have that trust factor where they’ll follow you anywhere; too late and they might feel abandoned. I was going to cite Stephen King, but because his writing is so prolific and his audience so varied that he probably did not notice the couple of times that I quit reading him. Of course, he knows that we sometimes come back.

[caption id="attachment_3552" align="alignleft" width="212" caption="See! I told you."][/caption]

Wednesday, September 8, 2010

Who is Henry Blogg? …lest we forget (words for unsung heroes)

It is understandable, at times like this, when world events are remembered and those that have lost their lives in-service or as innocents become our present focus, to reflect our current feelings and dwell in the now.

But, as writers, we have a responsibility.

Our writing, regardless of genre, is reflective of our times. In our words we possess the power to enlighten future generations as to the state of our cultures and societies, their failures and successes, their heroes and heroines.

We have a choice.

We can follow commercial trends and write in the isolated moment of dissociated facts, or we can weave into the fabric of our narratives, stories that leverage our experiences, our knowledge, our feelings.

[caption id="attachment_3369" align="alignright" width="264" caption="Exceedingly good poetry!"][/caption]


Far-called, our navies melt away; On dune and headland sinks the fire:Lo, all our pomp of yesterday Is one with Nineveh and  Tyre! Judge of the Nations, spare us yet. Lest we forget—lest we forget!


From "Recessional", a poem by Rudyard Kipling

What would it be for our stories of vampires and ghouls to revolve around tales of heroism that are rooted in the philosophy of battles between right and wrong? What would it be for our narratives of love and endeavour to struggle against forces that seem destined, on some perennial, visceral level to frustrate our desires for peace and democracy for all?

In fiction we can build on fact. We can draw parallels in previously untold-of worlds. We can bring enlightenment to others and longevity to the past.

In 1873, John Ruskin wrote that ‘…the art is greatest which, conveys to the mind of the spectator, the greatest number of the greatest ideas…’ Writing as an art, then, has a duty to convey great ideas to its readership. It is no option, writing as an artist, to simply relay facts. We must aim to convey ideas, to create within the minds of our readers, images of realities that, while fictional, leave lasting impressions and promote the possibility of learning.

[caption id="attachment_3368" align="alignleft" width="150" caption="Arthur C Clarke"]Arthur C Clarke[/caption]

Consider the plot for a science fiction novel… An unpaid, volunteer space rescue pilot, consistently flying out on deep space rescue missions in an improbably under equipped, manually controlled, aging space shuttle. This space pilot normally shuttles his craft from moon to moon, carrying supplies between outposts. When a distress call goes out, he is first to respond. Is this something for Arthur C Clarke?

Perhaps one of the bravest and most spectacular rescue missions this pilot undertakes sees him rescue 11 crewmen from the meteor-shattered hulk of the galactic freighter Fernebo. And this on top of an earlier rescue mission that same day. In fact, the pilot himself has to battle through a meteor storm to reach the stricken wreck. By the time he pulls alongside the Fernebo, he and his small crew had been fighting the elements of deep space over nearly 14 light hours.

Such feats may have earned the rescue pilot an Intergalactic Federation Gold Medal. They become regular citations! Indeed, some twenty years later, this relentless pilot and his faithful crew are called out to the space barge Sepoy. He might even refer to this later as the worst journey in his then 24 years as a rescue Pilot. He makes several attempts to go alongside the stricken barge but it is impossible to hold his own ship in position to effect a rescue because of the solar winds and meteor showers. He decides to run his own ship onto the deck of the Sepoy. But he only has time to take of one crew member before his small ship falls away, and he has to return and repeat the dangerous manoeuvre. Both crewmen are rescued, but all, including the rescue pilot and his crew carry injuries from the event.

How would our memory of Henry Blogg be affected if Arthur C Clarke had written of such heroism in his novels?



No other lifeboat crew member has been awarded as many medals as Henry Blogg. He was awarded three Gold Medals and four Silver Medals for Gallantry. He was also awarded the George Cross and the British Empire Medal. Henry joined the crew of the Cromer lifeboat in 1894 at the age of 18. He became the Coxswain at the young age of 33 and continued in this role for 38 years, retiring in 1947 at the age of 71. During 53 years’ service, his Cromer lifeboat launched 387 times and saved 873 lives.

As I sat writing this, I remained conscious of 20 years of my own military service – a different time, a different world – and a brother who has just this month arrived in country, in Afghanistan, to commence a tour of duty with the Canadian Forces there. Respect!

[caption id="attachment_3367" align="alignright" width="150" caption="My hero..."][/caption]

But, I am not a historian; I am a writer of fiction. So, if I am to take a lead from a fictional hero of mine, “It was a dark and stormy night…” how am I going to portray the big, heroic events of the now for future generations to gain insight and ideas from? And how might you, as a writer also, respond?  Or, as a reader, what might you expect? Do tell! :)

Friday, August 20, 2010

The Top Shelf

Were you expecting Long Island Iced Teas? Sadly, so was I.

     Our prompt this week was to answer the following question: “Who are the great authors writing today?” Thankfully, there was a second prompt. 

     What I mean by this is the fact that I don’t necessarily feel as if I read enough to be able to answer that kind of question. When I was a teenager I used to read all of the time. Even in the early years of my marriage, when the plant used to shut down for a week here or there during the slow season, I was able to lie around the apartment, reading to my heart’s content. Eventually, as life became more hectic, I was only able to read my favorite authors' new releases. Now, I am attempting to read more, but it is a discipline that I am having to master. If I had the time I would read so much more.

     Our secondary prompt was: “Who are your favorite authors writing today?”

     Now we’re talking…

[caption id="attachment_3245" align="alignleft" width="300" caption="A view of one shelf"][/caption]

As I mentioned there was a time when I was only able to follow my favorites. Over the years that list has included: Stephen King, the late Michael Crichton, Patricia Cornwell, Michael Slade, Clive Barker and Pat Conroy. 

     Citing Stephen King as a favorite author is like rock bands citing The Beatles or Led Zeppelin as influences, but in my case it is still a fact. I must say that I do not read everything that Uncle Stevie puts out. As prolific and as varied as he is, I tend to examine each novel and see whether it strikes my fancy before putting it into my cart or e-cart. I love when people tell me that they refuse to read his work because it is too creepy, frightening, etc. Of course, that’s when I ask them whether they liked The Shawshank Redemption, Stand By Me or The Green Mile. When they answer that they loved those films, that is when I rock their world.

     My favorites in the cannon that is Mr. King would be The Stand, Pet Sematary, Misery, The Dark Half, Gerald’s Game, Bag of Bones and The Girl Who Loved Tom Gordon. The latter is a particular favorite of mine, and not because of the baseball references. I like it because of the young girl's strength and determination as she deals with finding herself lost in the deep woods.

     Michael Crichton was brilliant at filling his fiction with so much science that by the time he was done, none would question whether it might be possible for dinosaurs to roam the earth. Some might suggest that it was too much, but I think it gave his work so much believability. I thought Congo and Sphere were good books, but the terrible films really put a bad taste in my mouth. Uncle Stevie's fans can say the same about some of his as well. I was fairly dedicated between those two and Airframe, although it and Disclosure were very similar. I did not read again until Prey and State of Fear.

[caption id="attachment_3246" align="aligncenter" width="300" caption="Some Slade for your day."][/caption]

Patricia Cornwell hooked me with her Doctor Kay Scarpetta Series. My wife and I have followed religiously since Postmortem. We have followed her, FBI Profiler Benton Wesley, Detective Pete Marino and Scarpetta's niece Lucy, through the highs and lows of their lives as well as the peaks and valleys that is Ms. Cornwell’s creativity. There have been some great ones, a couple of lackluster ones, but for the most part she keeps us coming back for more.

     Which brings us to Michael Slade. I did a guest post on this subject just recently (http://wickedwriters.com/2010/06/16/special-x-thrillers/), so I will not bore the Wicked Readers with a rehash; however, I will say that he should be given a chance, especially if one likes their horror on the cutting edge. Why he remains largely undiscovered after all of these years, I still cannot figure out. Those of us who do know Slade enthusiastically consider ourselves “Sladists”.

     “Everybody is a book of blood; wherever we’re opened, we’re red.” So began my interest in Clive Barker. You may recall Pinhead from the Hellraiser series of films. That’s him. I started with his collection of shorts, Books of Blood. Eventually I followed him along from The Damnation Game, The Great and Secret Show, Imajica, Everville and The Thief of Always. I highly recommend that last one. It is a fable and suitable for children. I read that one to my two boys while they were growing up.

     Lastly, I will leave you with Pat Conroy. Writers of every flavor very often like to show off their mastery of the English Language. As a reader, we can easily find ourselves tripping up and losing interest in the characters, plot and ultimately in the book itself. Pat Conroy is not one of those. His prose simply must be some of the most beautiful ever published; reading his sentences just has to be like fine dining at it's finest. I have an image in my head of a non-wine drinker, tasting the bouquet that are his sentences and falling in love immediately with the vintage.

     This past year I did a book review over on my blog on Mr. Conroy’s latest release, South of Broad (http://jamesgarciajr.blogspot.com/2010/05/sunday-morning-musings_15.html). In it, I answered the following: “How did a horror enthusiast end up reading Pat Conroy?” I explained that a sister-in-law highly recommended what I would call his masterpiece, Beach Music. I had proclaimed that I never read anything unless someone died in the first chapter. As it turned out, the first page recounted the story of how Shyla McCall leapt from the Silas Pearlman Bridge in Charleston, South Carolina, setting off an amazing and unforgettable chain of events. Encompassing many years, multiple characters and almost too many subplots to count, it is simply the finest piece of fiction that I have ever had the pleasure of reading. I have read it many times and sometimes pick it up not necessarily intending to finish. I’ll grab it off of my bookshelf as if the intent is to give myself a delightful snack. It’s that good. How he tied every loose end into perfect and beautiful little bows, I’ll never know, and could only hope to be able to emulate.

     It is so good that I refused to read any of his other works, fearing that they would be such a colossal let down. In the end, I finally buckled and have read a few more, though I have yet to work my way through his bibliography. I have also read The Prince of Tides, and Conroy’s memoir, My Losing Season. I have not been disappointed as of yet. He is a fantastic writer.

     We read different things and we read them for different reasons. This was not an exhaustive list, but a list. What might be on your list? What might you recommend? I'd love to hear what others think. Hopefully, you can leave me with something new to discover as I hope I have left you.

[caption id="attachment_3247" align="alignright" width="300" caption="Thorn Birds? How the hell did that get there?"][/caption]

I would like to thank Julie Musil for commenting two weeks ago during our contest then about being interested in reading my e-book, Dance on Fire. You, my dear, are getting that chance. Thank you for participating. I hope you enjoy it.

Wednesday, August 11, 2010

The Mandarin Segment...

Something completely different?

OK, so, out of all the elements that make up a good story – which would I tell a novice they should take the time to study up on? You’re asking me? Really?

English usage? Strike one – C.J. gone done that one – fair‘n’square…

Plausibility, or, if your name is Greg: Keeping it real… damn it, Greg! Strike two!

No, please… Sharon, must you? Strike three… Out? Failed on account of characters?

But, in (my) reality all of the above and more ARE required. Now that really IS a problem for the novice writer.  So let me cast my mind back to when I had a story idea for a novel. What pragmatic advice would have helped me with the daunting task ahead of me? In fact, what was the first thing I wanted to find out about that ACTUALLY got me through the process of getting the idea down on paper?

Well, if you will bear with me – perhaps even read a little “flash” of inspiration… then maybe, just maybe, I’ll tell you…


The Mandarin Segment...


“Bye, honey,” she said “...don’t forget to eat something. It’s breakfast time! There’s a bowl of fruit on the table.”

With that his wife disappeared from view, on her way to the beach – his young son skipping gaily in-hand.

The writer sat at the small desk of the hotel they had checked into early that morning. It was the start of his holiday, but he had made a commitment. This last project, then he would relax. He had promised. He’d promised himself, promised his wife and child. He was an honourable man; promises were that: responsibilities to be met.

Sweat poured from his brow as the heat of the rising tropic sun screamed in through the open window. The gentle sea-breeze offered no respite. The effects of a sleepless early morning flight crowded his thoughts. Inspiration, that ghost of fancy, slipped from his grasp – that drowning muse parted his metaphoric grip as he, the sole survivor in his boat of life, looked helplessly, listlessly on.

Where to start?  It was his first novel... the commitment made to himself...  an outline of the story! A plan! Yes, damn it, he’d already qualified himself as a writer – but this was different... a novel? Eighty thousand words, he told himself... over three hundred pages. The thought scared him. Where to start?

He stood; he sat; he fidgeted.

The mid-day sun rose to its zenith... then fell.

Hunger avoided him as a plague.

The disappearance of his muse had long ceased to be that faded ripple on the outgoing tide of his consciousness. Oh yes! ...he still had the idea ...that glimmer of story hope that teased him into continuing his purgatory existence. But ...eighty thousand words?

The deadline, the end of this day, loomed ominously. Soon, they would return: promises to fulfil.

He paced the room. Desperation rose as a geyser from the bottom of his soul. Bile kissed the back of his throat. Panic began to consume him.

His eyes, heavy in desperation, rolled downward. His glance set upon the bowl of fruit. Atop the bananas, apples and grapes stood a single mandarin. The small orange fruit melded with the colour of the now setting sun. The mandarin became one with nature, growing in stature as his vision occluded all else before him.

He stood, mesmerised by the immense vision of the mandarin that became the world before him.

He stooped forward. Reaching down with his left hand he picked the fruit from the bowl, surprised at its lightness, given the sense that it seemed, at that moment, to hold the source of all energy. The fruit became all.

Involuntarily, his right hand met his left, trapping the soft fruit between them. It radiated inspiration. It controlled his movements. He knew not why his thumb pierced the orange skin at that precise time. He knew not why the skin fell cleanly away as, caressed by his touch, the fruit rotated against the sharpness of his nail. He knew none of these things. He knew only that he now held the mandarin, its fleshy nakedness exposed. Its pithy segmentation beckoned him.

The fruit was whole, it invited him to enter... to consume, not be consumed, but where? Where to begin?

And then he knew. ...A plan!

He smiled. He would break his story into segments. Each segment would begin as almost uniform, manageable scenes. Pithy links would bring the segments together, to realise the whole – an arc of enlightenment; from beginning to end.

He slid his finger into the mandarin... and breathed life, wishing he’d been hungrier, earlier.

****


And my point?

Pace.

The challenge, should you accept it, is to pace the story idea across something like 300 pages without letting the reader down. The writer must carry the reader on a journey through place, time and characterization, using effective language, well written and grounded in a reality that allows the reader to relax when the going gets tough. To my mind this takes a plan. It is a big challenge and, for the novice, breaking the story into manageable scenes is a great place to start.

Happy writing, mon braves! (...with no apologies to Richard Condon) :)

Friday, August 6, 2010

The Future of Books and a Contest

When I realized that our subject this week was the future of books and e-books in the next five years, it gave me pause. It wasn't as if I was completely clueless with regard to the task at hand; I have had the good fortune of having my debut novel published as an e-book. The issue for me was not the meat and potatoes of the dish, but rather the art of preparing the meal. I wrote the novel, but my wonderful publisher Gaynor was the one who handled all of the details.

The e-book: By this time, most people are aware of just exactly what this is. "What's in a name? that which we call a rose By any other name would smell as sweet" (My thanks to Mr. Shakespeare). It's just a book. It won't bite you! Although, a good one will leave a mark. One can download an e-book to their computer, iPhone, e-reader, etc. Most of us not only have personal computers, Laptops and gadgets galore, but have multiples of each! 

The e-future: Imagine if you will that you have just finished reading a very good book. Are you ready to put it down? What if there was more content? Books often carry advertisements for past works by the author or for a forthcoming title, other times the book might include a sample of what's coming. What if the e-book was something called an enhanced e-book? Not only could it carry the usual, but so much more. Picture if you will the ordinary Facebook wall. Most of us have a Facebook account or at least have seen one. Can you see the video links and photos there? Instead of snippets of what the individual has been up to or what their friends have posted on their wall, I want you to envision the pages of a book. Are you reading The Lord of the Rings? Off to the right there is a series of photos. Are you reading Stephen King? Between paragraph one and two is a photo of Bangor, Maine. Better yet, how about a short video walk-thru of the town. Pat Conroy? Now you do not have to imagine what his south looks like, you could simply click the link. 

I know what you are going to say. It's the same argument against music video. Now that I have seen the stupid video, it has robbed my imaginative mind of being able to simply take the lyrics and create my own visual in my head. Okay, forget the photos and links. What if the start of the enhanced e-book contained a brief author's note, where a film began upon your choosing and the author herself thanked you, her faithful reader, for purchasing her work and gave the simplest of introductions. What if the end of the e-book contained an interview session where the author explained the muse for his story or offered other tidbits. Wouldn't that be something? Who knows exactly what the future might bring, but folks, it is coming

The Real topic: That was what I was hoping to write about this week. Unfortunately, thanks to all of the comments that I have seen recently from readers claiming that you can take their books from them when you pry them from their cold, dead fingers - we have to talk about something else. Has everybody seen Moonstruck? I hadn't until recently. I love romantic comedies, but must have had some sort of bias against this one for some crazy reason. In any event, I finally saw it, and liked it. So, with regard to the bias that many continue to cling to in terms of being unwilling to embrace e-books: I say, (borrowing Cher's famous line) "Snap out of it!" 
[caption id="attachment_3123" align="alignleft" width="160" caption="Cher and Nicholas Cage in Moonstruck"][/caption]

Forgive me, I'm not writing of those who have said that they cannot yet afford a Kindle or one of the other e-readers out there. It was easy for me. My wife has money! Just kidding. I'm speaking to those who get all nostalgic for paper, curling up in bed with their favorite book or simply their love of  bookstores. This is not the first time that this kind of thing has happened. We have gone through this before.  

This past spring the Blockbuster in my small town of 12,000 or so souls closed. It's a Real Estate now. When I was a teenager we went through periods where we had between two and five video rental stores. Then everyone decided that they should abandon the mom and pop places for the big sexy chain, thus forcing the mom and pops out of business. Now that we can order movies through cable, our computers, our Wii's, etc., we don't necessarily need Blockbuster anymore. And so it goes...  

Quick, somebody hand me a cassette. A what? Yeah, that's what I thought. I might still have a few cassettes lying around the house, probably stored in the garage. If so, they won't work now. Not that I have anything to play them on anymore! Not only that, I've long-since replaced those with CD. While we're on the subject, all of those CD's have been digitally transferred to my pc. They are available for me to listen to when I'm on my pc (like now - I'm listening to Asia), or my iPod (I'm pushing 7000 songs there) or my iPhone. My dad still has an old reel to reel. I haven't seen it in a while, but I'm certain that it is there since my parents don't believe in tossing anything out! Soon, we might not even need to store music. Our devices will simply access "the cloud" where our account is recognized and our purchased/stored music content simply streamed to our device. I don't know a lot about it just yet, but guess what: it's coming, too!  

Back to my wife. When the Kindle showed up magically at our doorstep a few months ago, she gave me that frown. "What did you do?" the frown asked. Yet, guess who uses it more than I do? And so will you. Trust me.  

The Contest: If you are still speaking to me after all of that, we have a contest for you. Wicked Writers is giving away a copy of my e-book, Dance on Fire. Ha! What else could it have been? The contest will run for two weeks. To be eligible, please leave a comment, along with your e-mail address in case you are declared the winner. We also would love it if you signed up for the e-mail delivery option, but will not make it mandatory. I would like to leave you with a note about my book. It is a horror/Christian crossover about vampires. It is a PG-13 story, so don't let the horror label scare you away. It is Christian, but contains some blood and guts and does not get too preachy. There's a bit of romance, too! See, it has everything. How could one possibly lose? Okay, don't answer that.

Saturday, July 31, 2010

Mentally Preparing Before Sitting

The topic this week at Wicked Writer’s is writer’s block. I stared at this sentence for a week! I’m just kidding. For those of you wicked readers who have surfed over this week, looking for someone to help with a problem that you either have had or are having presently, only to find a group of (mostly) unsympathetic unbelievers, waiting to feast upon you like starving vultures – I want to apologize. I want to apologize for joining in that feast!

You see, I am another who has yet to experience any real trouble with the muse or creative process of writing. Even this particular post was something that I volunteered to write only two days before. Forgive me for sounding cocky and please allow me to explain.

I write fiction. That has been the bulk of what I have been thinking about since puberty, other than a little time spent thinking about girls, that is. If you know anything about me as a writer at all, then you know why I have done little writing over the last twenty years or so. It was because I was busy with career and family, never really believing that this time would ever come. Thankfully, it did come; however, I will not bore you with those details here. What I will tell you is how the inspiration does come. I will explain how it is that I have had two short stories published, my debut novel published as an e-book (poised to become a paperback this fall), and finally the novel’s sequel written in a mere eight months.

For me, the key is to wait for the inspiration to come…but not while sitting in front of the keyboard. I have mentioned what I do in previous blogs, so some may have read this from me before. What I do is build up to the writing. Whether I am in the car, in the shower, or in bed during those first moments before I fall asleep, I remind myself where I left off the following day and allow my mind to decide what should occur next. A gestation occurs, if you will.

I do outlines, but they are extremely rough and leave a lot of opportunity for new ideas to take shape later. I remind myself where I left off the time before, so I usually know where I am heading. The next part of the story does not always come easily. Sometimes I dismiss ideas or decide what I do like out of a given brainstorming session. If I like what I am seeing in my head, then it usually powers the next part rather excitedly. If I do not like what I have, I give myself more time.

There are many moments in life for the mind to go off on tangents. Have you noticed? I’m in my early forties and have been married for over twenty years now, if I see an attractive woman, it is very easy for my mind to go places that I do not need it to go.  Therefore, this is a very helpful process on a great many levels! I am sure my wife would second that notion. All humor aside, for me, it really works.

Early on, I received many questions during interviews, where I was asked just what it was that I was attempting to convey when I created this character or that plotline. Like a George Orwell, was I hoping to issue an edict on this social disorder or warn of the corruption of some establishment? People were looking for some message or another, and I would have loved nothing better than to grin at how clever or brilliant I was compared with other writers. The truth of the matter, however, is I am just a guy who has been blessed not only to see movies playing in my head, but to also be able to write them down in a fairly descent manner, hopefully before they dissipate like pardoned ghosts.

For those of you who struggle, I wish you well. Keep writing, and keep thinking about writing. Perhaps this will help.

Wednesday, July 7, 2010

It gets deeper... (the river, that is!)

Well, this week, I'm following the lead of C.J. and Greg, and opting to give you a taste of my work in progress. A simple explanation... I have mentioned before that I am a very poor reader. I don't actually follow a great deal, so posting some of my work in progress seemed the easier option.

Of course, my problem was then that the only work in progress I had was a spreadsheet with around 68 scene titles forming the plot structure for the sequel to River of Judgement. And Microsoft Excel spreadsheets do not make riveting reads.

Well, the challenge was then to write the first scene or two! So that's what I did yesterday afternoon, in between business meetings. I sat at a cafe in London's Covent Garden market place, amongst heaving crowds of tourists, all wondering what this stange guy in a suit was doing, head bent over the table, scribbling madly into a note book!


So, in the words of C.J. "I know it needs some work..." but here you are (without pictures this time) the first 2000 words of the sequel, hot of my brand new notebook!  It's uncut, unedited... and at the time of posting, less than 24 hours old!  Remember folks: you read it here first!

CHAPTER ONE



It was not a good day to be hauled out of his hotel bed. The Corinthia Hotel in Tripoli had all the comforts he could wish for. But the day had not been good. In fact, there really had been no good days recently.

The Corinthia suffered from the fact that it had little real competition in terms of International-standard accommodation. He’d seen better service and, while his room was clearly modelled on five star luxury, the price he had been paying since his exit from London was proving outrageous. But, strangely, if it had not been for his circumstances, he might actually have enjoyed the sojourn.

Exile was a good descriptor for where he found himself. Oh! He could roam about if he wished. There were no bars on his windows. He was free to come and go… but to go where? For what reason? He was fed up of the restaurant food, but there was little alternative but to eat in. Of course he could get to the Green Square area of the city, but the walk through the old town rarely seemed worth the effort. At the height of a North African summer, movement was a game of jumping from air conditioned environment to air conditioned environment.

No! For Aaron Philips, fugitive from British justice, today was a bad day, and it was going rapidly down hill.

‘Mr Philips?’ said the man in front of him now. ‘I do have your full and undivided attention, do I not? …Mr Philips?’

His contemplation abruptly terminated, Aaron sat forward on a low, white leather stool. His concentration returned to the man opposite. Despite the air conditioning humming in the background, he felt the beads of sweat gather at the nape of his neck, an run, uncontrolled, onto his shirt collar. The man looked at ease as he sat wearing his traditional Berber cloak of thick white wool. Two other men stood, patiently, either side and to the rear of the large sprawling white leather sofa the man occupied. They stood motionless in clichéd black suits, with black open-necked shirts. The dark, Arabic features of the three men made a stark contrast with the clean white contemporary lines of the furniture.

‘Yes,’ Aaron said finally.

‘Good.’

A white cat would have been too much. But, surreally, the thought amused Aaron. A white cat would have been welcome; it would have brought with it an air of Hollywood ambivalence – the chance that this encounter was merely some staged joke over which he could conjure his own outcome, if he wished. Take it or leave it. But he could not leave it. This was no joke – just the menacing presentation of a single option for his continued presence on earth.

The day was not going at all well, thought Aaron. He was, for the first time in his life, scared. He had no idea where all this was going.

‘Mr Philips, you…’ began the man, speaking quietly and deliberately. ‘You have created a problem for me and for my clients.’

Aaron was all ears now, intent, listening.

‘We came to you,’ the man continued, ‘…because friends recommended you.’

Friends, Aaron thought. More people with a grudge against me now.

‘You “were”…’

The use of the past tense struck Aaron hard. Unseen, his body reeled from the metaphoric blow. His career was shot, but that seemed the least of his problems.

‘…highly recommended,’ continued the man, who clearly had no interest in what Aaron might be feeling at this moment. ‘We wanted a legal, financial vehicle to move a great deal of our cash through London. You “were”…’

Again the past tense, again the sudden blow to Aaron’s psyche.

‘We are very disappointed. You have cost us a lot of money. It is time, Mr Phillips.’

‘Time?’ echoed Aaron.

‘Yes, time. Time for you to take action.

‘Time? said Aaron, pathetically. He tried his best not to comprehend what was happening.

‘Time for you to clean up some loose ends.’

‘But…’ began Aaron.

‘No buts, Mr Philips. This is embarrassing for us all. We will, of course, provide you with some assistance. However,…’

‘Yes?’ said Aaron.

‘Make no mistake, it will be sorted.

Had there been a white cat then it would have been purring under the attention of its Master.

‘It will begin without you, Mr Philips.

Aaron felt a chill rake his spine. ‘What will begin?’ he asked. His question was ignored.

The man quickly brought his hands together with a clap, and held his left hand up and out, reaching behind. The aide to his left deftly produced a mobile phone and placed it in the outstretched hand. The man dialled a number. He spoke again, while waiting for his call to connect. ‘Friends, Mr Philips. We will put you in touch. They will make sure that you do no get, shall we say, arrested? Yes, arrested! They will make sure that you are not arrested.’ The man smiled at his own choice of words. ‘At least until the work is done.’

‘What work? asked Aaron.

‘Come now, Mr Philips. Such naivety in one so cunning as yourself…’ he raised his other hand, signalling a halt to the conversation. He turned his attention to the phone. The other party had replied. The man spoke briefly in Arabic. He returned his gaze to Aaron, and continued in his perfect Oxford English, as if he had not been interrupted by the call. ‘I would find the situation charming if it was not so potentially disastrous to us. But now the work has begun.’ He smiled at Aaron.

‘What work? Aaron found himself repeating the question.

‘The clean up, Mr Philips. Your clean up.

The man passed the phone back to his aide and reached his right hand out and behind. This time the aide on his right passed the man a ticket wallet. The man reached forward and held it out to Aaron.

‘Your flight to Paris leaves in one hour, Mr Philips. My aides will escort you. Your case has been packed; it is in the car. And…’ the man paused. ‘Do not fail us this time.

Aaron sat in stunned silence. The ticket wallet seemed to hover but a foot away from his face. He slowly reached up and took it. The aide on the man's left moved round to the front of the sofa and stood next to Aaron, placing a hand gently on his arm.

‘It’s time, Mr Philips,’ said the aide in a thick Arabic accent.

~


Finn Jackson sat at the small, unstable table; its surface, like the others at the Covent Garden café, was covered in a lime-green plastic-like cloth. He ordered a wrap from the plastic-like menu – chorizo and buffalo mozzarella with sun dried tomatoes. He needed something in his stomach.

He checked his watch. Four in the afternoon. It had been a long, hot day so far. Lunch had been liquid. A bottle of chilled rose wine shared with pleasant female company. Business, totally business, he reminded himself. The young lady was a city analyst in oil and gas. She’d been doing a research piece for a client and wanted an update on the ecological impact of the tar sands exploration.

Finn looked around. The crowds in Covent Garden market were heaving as always. The cacophony of sound that reached his ears was a welcome friend. It was a typical London summer’s day: overcast, oppressive, damp heat. Reassuringly unpleasant in a suit. His tie had been discarded the moment he left the comfort of his office with its air conditioning. He moved uncomfortably in his chair, the wooden slats in the seat were leaving impressions on his backside. He looked at the coffee and water that had been placed before him and smiled at no one. He did like his life.

His short repast dispensed with, Finn turned his mind to Alexa. She would meet him there, at five, she had said. Alexa, that vision of loveliness; he had still not worked out in his mind how easily all the pieces had come together for him recently. Things had been so different before.

There was a brief commotion a few tables away from him. He wasn’t sure what had happened. There was a flurry of activity. The waitress, who had just moments ago removed his plate and napkin, now seemed to be on the end of a very polite, but firm dressing down.

Finn looked on.

A women, blonde, her hair in an immaculate off-the-shoulder bob, sat two tables down to his left, midway between him and the piazza with its constant caravan of moving tourists. She looked, to him, to be in her early forties. But he’d never been good at the age game. She was attractive. Classically so. A little thinner than Rueben would have preferred, but all the right curves were there, and in all the right places. His attention had obviously been arrested one moment too long. The waitress and her transgression became history as the women glanced to her right and saw him looking at her. Her almost-stern expression dropped.

There was no one at the tables between Finn’s and her own. She smiled directly at him. Confidence was clearly a virtue the women held in spades. ‘Damned hairdresser,’ she exclaimed.

Finn caught himself smiling back. He reached for his glass of water, as if embarrassed for being caught out – a naughty school boy, caught peeking at his attractive teacher’s shapely legs.

‘I’ve just spent two hours there. Every six weeks – I ask you! You’d think they’d remember…’

Finn chanced his perception. ‘...how you like your hair?’

‘No, damn it! How I like my coffee!’ she smiled. They always do my hair perfectly. I say half an inch and they do half an inch. What more can a girl ask for…’

‘Perfect coffee?’ he ventured. ‘And I suppose the waitress here didn’t help then?’

‘Perceptive for a northerner, aren’t you.’

‘Is my accent that much of a give away?’

‘You could say that,’ she said.

‘Well your hair looks great to me.’

‘Don’t overdo it, you were doing fine just then.

‘Sorry…’

‘And don’t say sorry. I pay a fortune to keep it looking just like this. I like to come out looking just the same as I go in.’

‘I wouldn’t know.’

‘I wouldn’t have expected you to…’

Finn’s phone, resting on the table by his now cooling cup of coffee, burst into chime. He didn’t move to pick it up.

‘Wife?’ the blonde asked, smiling at him.

Finn reached out and slid the Blackberry from its case and looked at the caller ID. He was reassured to see Alexa’s name appear. He looked back to the woman. ‘Partner, I’m not married,’ he said. He had no idea why he felt he’d had to add that qualification.

The blonde woman continued to smile at him. ‘You’d better answer it,’ she said.

‘Yes.’

Finn put the handset to his ear.

‘Finn Jackson? Mr Finn Jackson? repeated the strange and male voice.

‘Yes,’ said Finn, unsure what was going on, but sensing something wrong. He saw the look of concern on the woman’s face as she reacted to his own expression.

‘This is Detective Inspector Clarke.’

Finn felt the colour drain from his face. ‘Pardon,’ he said.

‘DI Dan Clarke. I’m with the British Transport Police down at Holborn station. I’m afraid there’s been an incident.’



~


Well, I hope you like this. I would certainly appreciate any feed back. :)

Tuesday, July 6, 2010

Yellow Beehives, Lipstick Teeth & Favorite Authors

Today, I am joined by my guest, Kate Porelli.

One of the joys I have found since beginning to write fiction in earnest, and making that writing available on the internet, is coming to know a whole new bunch of exciting and interesting people, some readers and some writers - take my fellow Wicked Writers, for example.

Then there has been the opportunity to give advice to those who are at the beginning of their writing careers, or those just thinking about starting out. But I think the most rewarding experience is to prompt someone to take action and for that action to produce something tangible - a piece of writing.



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My guest today is posting her first ever blog! But, despite this, Kate knows about writing – she is a proof reader and editor, and offers us an excellent insight into our craft!

Kate has always liked working for herself, and after being made redundant as a Personal Assistant for the second time in two years, she decided to take up proof reading as a profession. She'd read something somewhere about a lot of transcription work being outsourced abroad, and how it's then proof read in the UK. So, Kate tells me, being of a picky and meticulous nature (she has been known to argue with the radio, apparently) and always having been a reader for fun, she thought that it sounded like a job she could enjoy.

I hope you enjoy her proof reader’s insight…



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YELLOW BEEHIVES, LIPSTICK TEETH & FAVOURITE AUTHORS

by Kate Porelli


OK, I’ll come clean. I’m not a writer. (Well, not yet anyway!) But I was asked if I’d like to guest blog on my favourite authors, through the point of view of one of the peripheral aspects of writing as, by trade, I am a proof reader and copy editor. It puts a roof over my head and food on the table, but it doesn’t stop there, not for me. Nor does it mean that I am a full-time apostrophe fascist (although I am; I once refused to eat in a café that advertised “panini’s” just on principle).

Proof reading has, as a by-product, changed my whole view of the written word, either fact or fiction. In short, I have become a very demanding reader, as those of you who see us (not entirely wrongly) as pedantic nit-pickers, will already have assumed.

Sloppy writing and lack of continuity is something I’m trained to see, which isn’t always of benefit as it can ruin an otherwise perfectly adequate story. The other side of the coin is that I can now spot eloquence when I see it, and as a result I find that I am enjoying a far wider field of writing than before.

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I believe that writers are the modern equivalent of the travelling bards and story-tellers whose job, when only the elite could read, was to captivate their audience and to beguile, enthral and entertain. It is not a job that should be done lackadaisically.

Our world is in a state of constant change and innovation and it’s right that our language reflects this fact. However, I hasten to add that, in my belief, text speak should be a recognised crime, punishable by long periods in a forced training camp where people have to write things out in full for sixteen hours a day until they get the hang of it. But I digress…

We have more access than ever before to great literature and even things like computer spelling and grammar checkers that will tell you (more or less) if you are making mistakes and yet, perversely, I find that the standard of writing in general is falling.

I often read manuscripts that Mrs Palmer (my old English Language teacher) would have called us up to the front of the class and picked to pieces before sending us away to do them again. (I didn’t like her daffodil yellow beehive or the lipstick on her teeth, but thought it best not to say so!) And these are manuscripts from educated people to whom the English language just doesn’t seem to matter any more.

A good story needs a plot that holds the reader’s attention and characters they can become emotionally invested in, that goes without saying, but that isn’t enough by itself. A good story needs clear and elegant phrasing to lift it above the mundane.

If asked to pick a favourite author I wouldn’t be able to. There are too many to choose from. Writers are like favourite foods – chocolate is lovely but not if you’re in the mood for steak. Stephen King spins a good yarn and can hold my attention throughout a volume the size of a couple of house bricks, Neil Gaiman has both surrealism and wit on his side, Graham Greene wins in the elegance category, Bill Bryson has me laughing out loud, but Terry Pratchett fills me with awe at the inspired bizarreness of his world (despite the sneaking suspicion that some of his references go over my head).

Terry Pratchett is the closest I can get to defining the writer I would like to have been. I still haven’t read all of his books, I get through perhaps three or four a year, read them slowly and savour every moment. He puts a sentence together and plants a new concept like nobody else can, I am still trying to imagine what colour magic is and still as taken as I ever was with the idea of octarine (an eighth colour which is only normally visible to wizards and cats and described as a “greenish-yellow purple” in the books).

[caption id="attachment_2831" align="alignright" width="86" caption="Great hat, Terry..."][/caption]

All that aside though, Terry’s prose is so precise that he can throw a new word that he has just made up into the middle of a passage and you know exactly what it means and that to me has to be the sign of a great modern writer, the writing doesn’t have to be standard stuff, but the quality has to be able to carry it if you’re going to go out on a limb.

So, you may (or may not) want to know, what I think makes a bad piece of writing.

I’ll tell you anyway.

From the point of view of a reader (not a professional reader, mind you, just a general reader in the street), there are the obvious things like a poor plot, lack of research, continuity going to pot and characters I can’t either empathise with or loathe. None of these need any further comment from me, but other story wreckers are using five long words where three short ones will do, (which often appears to just be an author showing that they know long words), and repetition.

Repetition includes both the double statement sort (“he glanced quickly”) and the kind where somebody will use one particular word over and over again (“nice” syndrome). Then, of course, there’s a fine line between enough description or detail and too much. One enormous advantage the written word has is that the reader can add their own imagination to that of the writer, it somehow makes us feel part of things.

A good proof reader or copy editor is a necessary evil, it’s our job to know how a finished piece will read and it’s what we do best (well, that and getting irritated by signs that say “potatoe’s” and sighing a lot whilst reading newspapers).

Kate Porelli


Thank you for joining us today, Kate.

Thursday, July 1, 2010

VERBAL REASONING… Improvisation on-line, 101

Not the usual suspects…

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I said NOT the usual suspects… but, then again, have you ever been Keyser Sözed? Do you ever wish to do (or have you ever done) a Keyser Söze in your story line?

Take a look around you… you are a writer, or a reader, or both. What can you see that will add credence to the realities you write, or read into?

Well, after two great posts from Greg and George on our blog this week, about favourite on-line writing resources, what else is there to write about? Clearly I have to come at this from another angle.

It is, oh, sooooooooo difficult following others on a chosen subject!

Pass me my foundation, darling…

[caption id="attachment_2814" align="alignleft" width="118" caption="That's a cover up, then?"][/caption]

I, too, am a fan of on-line tools such as dictionaries and a good thesaurus. And, as for Wikipedia? Well, I find it a brilliant tool, despite the limitations of knowledge validation (which are, frankly, and in my humble opinion, in some cases not without foundation).

Foundationless knowledge… ouch!

I sense my doctoral supervisors cringe at the very idea of according Wikipedia articles the status of knowledge… But, and it is a big BUT! …we are talking fiction here, and who gives a darn about the status of knowledge in fiction?

All knowledge – I have commented before – starts in life as fiction. It takes a process of communication and understanding (often coupled with demonstration) for a group of people (call it a society, if you like) to come to know something as knowledge.

So, someone writes something (not quite true – shall we say) in Wikipedia; some budding novelist picks up on the idea and works it into a crime novel (perhaps); some Holywood/Bollywood producer turns the novel into a film and it is seen by millions, including a budding criminal who thinks the “idea” is perfect for his (or her) next crime caper! And he (or she!) enacts the idea to commit the crime of the century. What was fiction has become truth! And a factual article is written about the “real” crime! Fiction becomes fact!

Anyway, again I digress. Greg has covered Wikipedia. :)

Keyser, who?

[caption id="attachment_2815" align="alignright" width="137" caption="What's in a name?"][/caption]

It is not until the end of the film, The Usual Suspects that we realize the narrative that Kevin Spacey has been spinning to the detectives has been based on simple “real” things that he has observed around him: the “strung-together” details taken from an office notice board, and the KOBAYASHI logo on the bottom of a coffee cup!

Imagine yourself, Roger "Verbal" Kint, famous author! You are sat there – no interrogators this time – but the pressure is on! You have your computer on and a blank page to fill. At this point you have an idea, but no details. The idea? A crime!

The greatest on-line resource I have found is the world-wide-web itself! Why stop at dictionaries? Why limit yourself to a certain thesaurus? Why stop at Wikipedia or Google. The same phrase entered into Google and Ask and Yahoo and… well, whatever… the same phrase will often return different results! Go on, be brave, pick and chose! Start stringing things together! This is where the fun starts… be your own Verbal reasoner.

The internet (I would argue!) is the definitive resource. All the other tools are just windows on the mass of data. We chose a window to look out of, just as we might pick a favourite window to look out of a house onto the yard outside. But we sometimes forget there are other windows. Our views become restrained, we forget that when the light moves, the view changes.

As a writer, I am thankful for all those people in the world out there who have given me so much material to pick and mix from. In River of Judgement, I wanted a board of directors as characters in my plot… Do you realize how many companies, world-wide, post brief bios of their directors? No?

[caption id="attachment_2813" align="alignleft" width="143" caption="Clearly not "usual" anymore!"][/caption]

So many, in fact, that when you string things together, add new names, new locations, plot ideas etc, fact becomes embedded in new fiction and nobody is any the wiser.

Fact becomes fiction!

One might wonder where other characters in my writing come from? Well, keep wondering. That might be the subject of another post!

Happy reading and writing, y’all! :)

Wednesday, June 16, 2010

The interconnectedness of... nothing?

Where are James, Morgan and Kit when you want them?

Here am I, with this d**n blog post to put together… I ask you, ‘series’?

“Write about your favourite series,” said she who must be obeyed. (Sorry, C.J. – couldn’t resist that one!)

What does any boy-child (stuck in a man’s body) do in times of trouble? Call on his childhood heroes, of course!

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Enter Kit – and Greg may just be with me here – Kit Kinnison, Lensman extraordinaire! Or was it Morgan, first? Morgan Kane, gun-slinger! But, hold on, talk about genre-hopping, the name may have been James, James Bond – shaken but not stirred, my dear!

Which of these classic heroes stepped into my bedroom first? Which had me marvelling at their exploits before the others? I remember not.



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(…Pause, as the author stops to break out the supply of chocolate stashed in the ready-to-hand refrigerator! …That’s better!)

Anyway, lest I be accused of digressing – to change the subject, or otherwise play for time until inspiration about “series” strikes me – I shall continue.

E.E. “Doc” Smith’s Classic Lensman series; Kjell Hallbing (aka Louis Masterson) – author of over 80 Morgan Kane books (although my collection only got to the first 27 or so); and Ian Flemming’s James Bond, provided my principal diet of reading material, from as early as I can remember reading books without pictures, to my entry into the adult world of work. There, sadly, amongst the stresses and strains of working life, my recollection of series reading fades into obscurity.

[caption id="attachment_2729" align="alignright" width="90" caption="Norweigan cowboys?"][/caption]

Ask me what it is about those books that I should remember them and I cannot recall a single story… Concepts? Yes. That each provided me with enjoyment? Yes.

But if I were to critique them as I have come to know the word critique, then I would most probably destroy an illusion. And, besides, I would have to read a whole shed-load of books again! I can, however, remember that the Morgan Kane series, when neatly stacked in order on my bookshelf, displayed a great view of the hand-tooled leather gun belt I’d always wanted to own!

Is it simply that we always remember our first time? (Painful or not!)

There were other series, certainly. As I matured and found the odd moment of time during and between marriages… (That’s another story!)

I’m being subjective here, but let me see… There was the superb Tai Pan and Noble House of James Clavell’s Asian saga, and Eric Van Lustbader’s character, Nicholas Linnear’s various outings.

Now, my problem is that, for a writer, I actually consider myself a poor reader - at least these days.

“If you are going to write, you have to read a lot,” said the invisible age-old writing sage, hovering just behind my left ear.

Where does that leave me?

[caption id="attachment_2731" align="alignright" width="116" caption="More books?"][/caption]

My problem is that I decided, some years ago, to do some academic “stuff” – research! It got me a PhD, in which I studied a great many books – hundreds in fact - but not novels. And never cover-to-cover. Research, almost quite literally, killed my ability to sit and read a novel. Now, I am so creative with ideas that leap of pages at me that I have to sit down and write more!

So when the thought of having to write about my favourite series hit home, I said “HELP”.

And Greg reminded me of the classics – well my classics anyway.

But, being a part-time scholar, I just had to spoil things and ask myself a question. “Just what is a series,” I said.

“A number of things that follow on one after the other or are connected one after the other. The sum of the terms of a sequence,” said the great voice of internet wisdom. (Because it’s quicker to Google than to pick up a big book on words, these days – sad, but true!)

But I would like to leave you with a thought. Perhaps all that is needed to connect the books in a series is precisely what is left out of them.

It is the trail of gaps, the lack of adjectives, and the limitation of descriptions and economy of language in well written prose and dialogue that the good authors manage to leave behind. It is, what I would say, the “absent other” in the text of a well written book that allows us, as readers, to create our own interpretations, realise out our realities and place ourselves at one with the story that imbibes, in us, a desire to read the next book by the same author. We wish to experience the same feeling, again, as we read in a first book, whether or not the author has displayed an overt tendency to serialise through the continuation of an interesting character, place or time.

[caption id="attachment_2730" align="alignleft" width="150" caption="James, where are you?"][/caption]

Perhaps, what I recall from those adventures of James, Morgan and Kit, is the sheer pleasure they gave me in allowing me to find my own way into their world. What, to me, makes them a perfect series is the interconnectedness of absence!

So, as I close this post, and look to where my own writing is taking me… Will my character Finn Jackson reappear in many more books? Or will someone else step into his shoes? Only time will tell…  :)